Essay

Bandjoun Station. Photo: Etienne Nsom

C& Print Issue #8: Bandjoun Station

A Truly International Collection

Bandjoun, a small town around 300 kilometers from Yaoundé in Cameroon, reaches out…

Pascale-Marthine Tayou,
La Colonne Pascale, SUD2010.

C& Print Issue #8

Is Douala Cameroon’s Capital of Contemporary Art?

Curator Yves Makongo looks into whether Douala has become the national center of…

Scholars, Museum Directors, Curators and Artists at the International Conference on African Cultures, 1962. Courtesy of the National Gallery of Art in Zimbabwe.

A Groundbreaking Congress in Zimbabwe

How the ICAC Highlighted the Global Influence of Artists from Africa in 1962

In the 1960s in Southern Rhodesia, the International Congress of African Culture made…

Aboubacar Traoré, Inch’Allah, 2015, photograph. Courtesy the artist.

A Sense of Wanderlust

The Importance of the African Motorcycle in Art

Serving as the symbol of freedom and Africa’s thriving economies, the motorcycle is…

Jelili Atiku performing at Arthouse Foundation. Photo courtesy Arthouse Foundation.

How To Extend Your Art Horizon

Nurturing and Expanding the Lagos Art Scene

With a rapidly expanding art scene, Nigeria and its artists have to seize…

Entrance Afirca Museum of Original Art in Pocheon.

Art from African Perspectives in South Korea

(Still) Adressing Stereotypes 

South Korean artists have been drawn to art from African Perspectives since the…

Andrew Tshabangu, Portrait of a Young Thwasa, from the series Bridges, 2008. Courtesy the artist and Gallery MOMO

C& and Aperture Magazine

Andrew Tshabangu – The Unsung Hero of South African Photography

In searing and poetic images, Andrew Tshabangu chronicles Johannesburg in the age of…

Martin Abasi Phiri, Casket II, mixed media (1995). Courtesy of William B. Miko

Focus Zambia: Martin Phiri

The Man Who Changed the Zambian Art Scene

C& author Andrew Mulenga explains the conditions under which art lecturer Martin Abasi…

Mohammed Melehi, Sans titre, 1963. Acrylic on canvas, 153 x 127 cm. Courtesy of the artist.

C& Print Issue #7

After Orientalism

The Group of Casablanca pioneered innovative teaching and exhibiting strategies that rejected the…

Sharon Zwi, Soweto Pietà (1980–92), Screen print on paper. Courtesy of the artist.

C& Print Issue #7

Soweto Story

Will South African university students demanding free and decolonised education be lionised like…

Fatoumata Diabate, Groupe de lutteurs, Somone, Senegal, 2013, from the series Studio Photo de la Rue. Courtesy the artist.

C& and Aperture Magazine

Through the Lens

In Bamako, a group of young photographers engage a changing city.

Deciding what to learn at the School of Improper Education. Courtesy of KUNCI

C& Print Issue #7

Lessons in Impropriety

Born out of a collective of Indonesian student-press activists, KUNCI Cultural Studies Centre…


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