59th Venice Biennale
It has received a special mention for its inaugural pavilion in Venice, yet Uganda’s global art venture has just begun, writes author Gloria Kiconco.
La Biennale di Venezia
With the national pavilion model, the Venice Biennale masquerades provincialism as worldliness. And it’s Global South artists who pay the price.
Opening of Efiɛ Gallery
As the first African-owned art gallery in the UAE, Efiɛ may have to interrogate existing cultural legacies in the region, writes Nantume Violet.
A Latin American Universe
Aldeide Delgado looks for C&AL into the implications and opportunities of the term “Latinx”.
Africa2020 Season
A group exhibition curated by Meriem Berrada at Palais de la Porte Dorée…
In Memoriam
Jamal Boushaba – writer, cultural journalist, publisher, curator, and all-round romantic character from…
Black (Art) History Month
While questions around time are currently occupying many, we rummaged through our archives…
No Justice No Peace
In this current moment, which ferociously amplifies the uncertainty, pain, and disruption caused…
Virtual Dialoguing and Soliloquizing
Covid-19 has undoubtedly already changed everyone’s lives. What the future holds, no one…
Covid19-Comment
C& is in solidarity with all the artists, independent curators, writers, other cultural…
States of Mobility
Mobility in the arts, geographical or otherwise, is often seen as almost a…
Santu Mofokeng (1956-2020)
In 2019 young South African curator Thato Mogotsi had been invited by the…
