Magazine
The Museum of Black Futures
C& Highlights of 2025
The Re:assemblages Symposium: How Might We Gather Differently?
Rest in/as Freedom: kiarita and Black Politics of Liberation
On Ghosts and The Moving Image: Edward George’s Black Atlas
Caribbean Sounds: The Connective Possibilities of Radio
Werewere Liking: Of Spirit, Sound, and the Shape of Transmission
Black Canadian Print Cultures: Of Quiet and Enduring Legacies
The Spirit Will Not Descend Without Song
On Exile, Amulets and Circadian Rhythms: Practising Data Healing across Timezones
Paris Noir: Pan-African Surrealism, Abstraction and Figuration
Coming Soon: APRIA Journal Issue #7 — Exhaustion
Maktaba Room: Annotations on Art, Design, and Diasporic Knowledge
Introducing the C& Cyclopedia
Zimbabwe Pavilion Announces “Second Nature | Manyonga” for Venice Art Biennale 2026
The Art of Dialogue: Living Archives, Memory and Practice
The 36th São Paulo Biennial
Images
View all images
The Spirit Will Not Descend Without Song
The Anarchist Citizenship – People Made of Stories
60th Venice Biennale: National Pavilions of Benin, South Africa, Senegal and Ethiopia
Ligia Lewis: Complaint, A Lyric
La Biennale de l’Art Africain Contemporain Dak’Art 2024
60th Venice Biennale: National Pavilions of Canada, France, USA, UK and Hãhãwpuá (Brazil)
Seeds and Souls
Jazsalyn’s A(spora): On the Gullah Geechee Corridor
Elolo Bosoka: What he saw sees when he went goes strolling
60th Venice Biennale: Foreigners Everywhere
3rd Biennale Internationale de Sculpture de Ouagadougou (BISO) - The Fire of Origins
Bernice Mulenga’s LMK WHEN U REACH
Noah Davis
Thailand Biennale 2023: The Open World
Alick Phiri and William Matlala: I’ll Be Your Mirror
OFF Biennale Dakar 2024
Lagos Biennial 2024
AMANI kukita | kung’oa - German and Tanzanian Perspectives on a Colonial Collection
60th Venice Biennale: National Pavilions of Zimbabwe, Nigeria and Côte d’Ivoire
Silent Invasions: The Art of Material Hacking
The Spirit Will Not Descend Without Song
The Anarchist Citizenship – People Made of Stories
60th Venice Biennale: National Pavilions of Benin, South Africa, Senegal and Ethiopia
Ligia Lewis: Complaint, A Lyric
La Biennale de l’Art Africain Contemporain Dak’Art 2024
60th Venice Biennale: National Pavilions of Canada, France, USA, UK and Hãhãwpuá (Brazil)
Seeds and Souls
Jazsalyn’s A(spora): On the Gullah Geechee Corridor
Elolo Bosoka: What he saw sees when he went goes strolling
60th Venice Biennale: Foreigners Everywhere
3rd Biennale Internationale de Sculpture de Ouagadougou (BISO) - The Fire of Origins
Bernice Mulenga’s LMK WHEN U REACH
Noah Davis
Thailand Biennale 2023: The Open World
Alick Phiri and William Matlala: I’ll Be Your Mirror
OFF Biennale Dakar 2024
Lagos Biennial 2024
AMANI kukita | kung’oa - German and Tanzanian Perspectives on a Colonial Collection
60th Venice Biennale: National Pavilions of Zimbabwe, Nigeria and Côte d’Ivoire
Silent Invasions: The Art of Material Hacking
The Spirit Will Not Descend Without Song
The Anarchist Citizenship – People Made of Stories
60th Venice Biennale: National Pavilions of Benin, South Africa, Senegal and Ethiopia
Ligia Lewis: Complaint, A Lyric
La Biennale de l’Art Africain Contemporain Dak’Art 2024
60th Venice Biennale: National Pavilions of Canada, France, USA, UK and Hãhãwpuá (Brazil)
Seeds and Souls
Jazsalyn’s A(spora): On the Gullah Geechee Corridor
Elolo Bosoka: What he saw sees when he went goes strolling
60th Venice Biennale: Foreigners Everywhere
3rd Biennale Internationale de Sculpture de Ouagadougou (BISO) - The Fire of Origins
Bernice Mulenga’s LMK WHEN U REACH
Noah Davis
Thailand Biennale 2023: The Open World
Alick Phiri and William Matlala: I’ll Be Your Mirror
OFF Biennale Dakar 2024
Lagos Biennial 2024
AMANI kukita | kung’oa - German and Tanzanian Perspectives on a Colonial Collection
60th Venice Biennale: National Pavilions of Zimbabwe, Nigeria and Côte d’Ivoire
Silent Invasions: The Art of Material Hacking
The Spirit Will Not Descend Without Song
The Anarchist Citizenship – People Made of Stories
60th Venice Biennale: National Pavilions of Benin, South Africa, Senegal and Ethiopia
Ligia Lewis: Complaint, A Lyric
La Biennale de l’Art Africain Contemporain Dak’Art 2024
60th Venice Biennale: National Pavilions of Canada, France, USA, UK and Hãhãwpuá (Brazil)
Seeds and Souls
Jazsalyn’s A(spora): On the Gullah Geechee Corridor
Elolo Bosoka: What he saw sees when he went goes strolling
60th Venice Biennale: Foreigners Everywhere
3rd Biennale Internationale de Sculpture de Ouagadougou (BISO) - The Fire of Origins
Bernice Mulenga’s LMK WHEN U REACH
Noah Davis
Thailand Biennale 2023: The Open World
Alick Phiri and William Matlala: I’ll Be Your Mirror
OFF Biennale Dakar 2024
Lagos Biennial 2024
AMANI kukita | kung’oa - German and Tanzanian Perspectives on a Colonial Collection
60th Venice Biennale: National Pavilions of Zimbabwe, Nigeria and Côte d’Ivoire
Silent Invasions: The Art of Material Hacking
Texts
View all texts
Caribbean Sounds: The Connective Possibilities of Radio
Werewere Liking: Of Spirit, Sound, and the Shape of Transmission
Black Canadian Print Cultures: Of Quiet and Enduring Legacies
On Exile, Amulets and Circadian Rhythms: Practising Data Healing across Timezones
Paris Noir: Pan-African Surrealism, Abstraction and Figuration
Coming Soon: APRIA Journal Issue #7 — Exhaustion
Maktaba Room: Annotations on Art, Design, and Diasporic Knowledge
Introducing the C& Cyclopedia
Zimbabwe Pavilion Announces “Second Nature | Manyonga” for Venice Art Biennale 2026
The Art of Dialogue: Living Archives, Memory and Practice
A Collector’s Guide to São Paulo
Steve McQueen: The Bassline As Sonic Intelligence
Naomi Beckwith Unveils Core Artistic Team for documenta 16
Through performance, sonic explorations and film, artist Tristany Mundu brings us into conversation with his city through works such as "the acliclas" (2020) and "City around the City" (2025).
Extending an ongoing conversation around the evolution of image practices in Africa, writer Kim M. Reynolds dives into Amy Sall’s "The African Gaze: Photography, Cinema and Power", and the wider historical context and infrastructure of African image-making practices.
Ecologies
View more from
Ecologies
We invited organizations, artists, and activists from Black and Indigenous perspectives to reflect on neocolonial structures and the climate crisis in contexts.
Examining De/Colonial Traces Through Colonial Collections
Bring Home your C& Collectors Box!
“All that it holds. Tout ce qu’elle renferme. Tudo o que ela abarca. Todo lo que ella alberga.”
We’ve got Issues!
View more from
We’ve got Issues!
Examining De/Colonial Traces Through Colonial Collections
Bring Home your C& Collectors Box!
“All that it holds. Tout ce qu’elle renferme. Tudo o que ela abarca. Todo lo que ella alberga.”
Must Reads
Maktaba Room: Annotations on Art, Design, and Diasporic Knowledge
The Re:assemblages Symposium: How Might We Gather Differently?
The Spirit Will Not Descend Without Song
Art in Crisis
View more from
Art in Crisis
Imagining a Future for the Arts in the US
Sudan Art Archive Aims to Reclaim a Canon from Afar
Mangrove Ecologies: Grounded Forms of Questioning in the Art/World
SOUND
The C& Audio Archive features a selection of discursive content published in C& Magazine. Listen to artist interviews, reviews, features, and opinions relating to crucial discussions around contemporary art.
