Editorial

The curatorial team (left to right) with Koyo Kouoh in the center: Siddhartha Mitter, Gabe Beckhurst Feijoo, Marie Hélène Pereira, Rasha Salti and Rory Tsapayi. Biennale Arte 2026. Photo by Andrea Avezzù. Courtesy of La Biennale di Venezia.

News

Venice Biennale 2026 Will Follow Late Koyo Kouoh’s Vision

"In Minor Keys" marks a return to the sensory, affective, and subjective dimensions of art, and will be presented exactly as Koyo Kouoh conceived it.

Installation View „Archives and Memories“ at Centre for Contemporary Art (CCA), Lagos. Courtesy of CCA Lagos.

In Conversation

‘To Treat Process with Care and Intention’: Favour Ritaro Carries Forward Important Curatorial Legacies

Navigating what it means to curate across geographies, Ritaro reflects on her recent exhibition at CCA Lagos and the legacy of Bisi Silva.

(left) Lindokuhle Sobekwa; (right) Detail from I Carry Her Photo With Me, 2024. Published by MACK.

News

Lindokuhle Sobekwa Wins the Deutsche Börse Photography Foundation Prize 2025

Awarded for his moving photobook, Sobekwa turns personal loss into a powerful reflection on memory, grief, and the enduring fractures of South Africa.

Koyo Kouoh. Photo: Emeka Okereke.

In Memoriam

Koyo Kouoh (1967 – 2025)

The curator of the 2026 Venice Biennale, chief curator of Zeitz MOCAA, and founder of RAW Material Company has passed away at age fifty-seven.

Tint Library Space. Photo: Haja Fanta

Inside the Library

Dispatches from Tint Library’s London Pop-Up

Following a series of community activations by the independent library in London, Haja Fanta highlights key titles from its diverse collection.

(left) Kapwani Kiwanga. Photo: Angela Scamarcio. (right) Terrarium, 2022. Mixed Media. Installation View at La Biennale de Venezia. Image Courtesy: Galerie Tanja Wagner

News

Kapwani Kiwanga Wins the 2025 Joan Miró Prize

Kiwanga receives the prestigious award in recognition for her powerful, research-based installations exploring history, power, and social structures.

Libation March through the city of Ouagadougou during FESPACO 2025. Photo: Makella Ama.

Film & Cinema

FESPACO 2025 Made Space for the Ceremony of African Cinema

Founded in 1969, the FESPACO is reviving itself while staying alert to the political and alchemical possibilities of film.

Kombo Chapfika, Borderlands, augmented reality installation, 2018. Photographer: Mark Lewis

In Conversation

Kombo Chapfika and Uzoma Orji: What Else Can Technology Be?

The two artists exchange thoughts on their common interest in the interplay of technology and culture, and how the tools we use reshape us.

Imagining a Future for the Arts in the US

Arts in Crisis

Imagining a Future for the Arts in the US

From mutual aid to getting in trouble, what can we do as cultural workers amid the federal fearmongering in the US?

Soñ Gweha, Nyum Elucubris, 2018. Courtesy of the artist.

Review

‘Apprendre à Flamboyer’: Collective Joy in Practice at Palais de Tokyo

Curator Amandine Nana brings celebration and community as tools of resistance in her most recent exhibition.

Family photograph, Ethel Tawe. Courtesy of the artist.

Editor’s Note

Stewarding an Antidisciplinary Practice

Reflecting on oral tradition, rhizomes, and opacity, C& Magazine’s new editor-in-chief, Ethel-Ruth Tawe, shares 3 notebook entries and an invitation.

Photo: Ethel-Ruth Tawe.

News

Ethel-Ruth Tawe to Lead C& Magazine as Editor-in-Chief

A bold new editorial direction grounded in critical inquiry, collective care and creative…

INVENTING YOUR OWN GAME

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Ecologies

C& and C&AL invited organizations, artists, and activists from Black and Indigenous perspectives to discuss, contextualize, and reflect on the relationship between neocolonial structures and the climate crisis in their local contexts.

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