Editorial

Introducing the C& Cyclopedia

Coming October 23

Introducing the C& Cyclopedia

Search differently – a living archive on contemporary art that insists on discoverability

Tadáskía. Photo: Adriano Machado

Annonce

Tadáskía remporte le K21 Global Art Award 2025

L’artiste brésilienne Tadáskía reçoit un prestigieux prix en Allemagne pour une installation in situ.

Moffat Takadiwa. Installation View of National Pavilion of Zimbabwe at 60th Venice Biennale, 2024. Photo: C&

Annonce

Le Zimbabwe présentera Second Nature | Manyonga à la 61e Biennale d’art de Venise

Sous le commissariat de Fadzai Veronica Muchemwa, le Pavillon du Zimbabwe explore la neuroplasticité comme métaphore de la résilience culturelle.

 
am Nhlengethwa, Glimpses of the 50’s and 60’s (2023). Installation view of Glimpses of the Now Exhibition at Four Corner’s Gallery. Photo: Josef Konczak

Essay

The Art of Dialogue: Living Archives, Memory and Practice

Following our curated talk at FNB Art Joburg, panellist Gillian Fleischmann reflects on collage and archival methods beyond institutional lines.

36e Biennale de São Paulo

Vue de l’installation

36e Biennale de São Paulo

La Biennale a ouvert ce mois-ci avec 125 propositions artistiques individuelles et collectives, réparties en six chapitres offrant réflexions sur l’hu

 
G.A.S. Buildings in Lagos and Ikise. Photography by Andrew Esiebo. Images © G.A.S. Foundation and Andrew Esiebo

News

Yinka Shonibare Launches G.A.S Foundation in Lagos

G.A.S is an non-profit project with two major new Nigeria-based creative hubs dedicated to art, design, architecture, agriculture and ecology.

Kamala Ibrahim Ishag, Blues for the Martyrs, 2022. Oil on canvas, 203 x 300cm. Courtesy the artist. Photo: Mohamed Noureldin Abdallah Ahmed. © Kamala Ibrahim Ishag.

Installation View

Kamala Ibrahim Ishag: States of Oneness

The exhibition of pioneering Sudanese artist Kamala Ibrahim Ishag celebrates the breadth and importance of her work spanning from the 1960s to today.

Frederick Ebenezer Okai, Fie, 2021. Courtesy the artist. Installation View of Earthy Structures and Contingent Breakthroughs at Gyamadudu Museum, Ghana.

Redefining Pottery

Frederick Ebenezer Okai Investigates the Possibilities of Clay

The artist’s solo exhibition explores his relationship with the earth and how his pottery is woven into the complex structures of Ghanaian society.

Art and the City

Exploring the Complexities of Urban Spaces

Different experiences and identities form a city. Joseph Omoh Ndukwu writes about how art examines the interior spaces of urban belonging.

Arsène Mpiana. Description: The Biennale crowd/partakers in front of the slag heap/terril of the former Gécamines mining site.

Biennale de Lubumbashi

Le collectif Picha répond à la tribune de Gloria Mpanga

Nous publions ici la réponse des commissaires de la 7e Biennale de Lubumbashi à la critique de l’autrice publiée avant l’ouverture

Hady Barry, Azi and Adjéla, from the series Wearing the Inside Out, 2022. Courtesy the artist.

Photographie

Hady Barry porte un regard intime sur l’amitié et la maternité

La série de photographies Wearing the Inside Out saisit l’intimité des proches de l’artiste guinéenne Hady Barry.

Dekoloniale Berlin Installation View, 2022 © Damian Charles

Installation View

Dekoloniale 2022 Residency Works

Dekoloniale Berlin presents an exhibition by Lulu Jemimah, Maya Alam and Vitjitua Ndjiharine,…

Screenshot network connections with Lagos © ifa/eflux

News

ifa Launches OtherNetwork – a Digital Platform for Independent Art Spaces

OtherNetwork will go online end of October as digital platform that networks independent art spaces and art projects around the world.

By Imani Jacqueline Brown

In Conversation

Imani Jacqueline Brown: What remains at the ends of the earth?

The artist and activist talks about the importance of ecological resistance and how it connects to our ancestors through the earth.

Guerrilla Girls, 3 White Women, 1 Woman Of Color And No Men Of Color-Out Of 71 Artists?(Detail), 1997. Paper, Offset print, 10,7 x 15 cm. © Rheinisches Bildarchiv Köln. Courtesy of the Museum Ludwig, Grafische Sammlung

In Conversation

Eboa Itondo: “One of the biggest challenges lies in institutional staffing practice”

C& talked to the recently appointed head of the Graphics Collection at Museum Ludwig about her strategies, visions, and wishes.

Ruth Ige on Blackness, Abstraction, and the Color Blue

In Conversation

Ruth Ige on Blackness, Abstraction, and the Color Blue

The artist talks about making art that is hard to decipher and the importance of portraying Blackness

Rencontres de Bamako

News

Bamako Encounters Announce New Dates, Venues and Concept

In 5 chapters and with 75 artists from the African world, the 13th Rencontres de Bamako will be held from December 8, 2022 to February 8, 2023.

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C& et C&AL a invité de perspectives noires et autochtones à débattre, mettre en contexte et réfléchir au rapport qui existe entre les structures néocoloniales et la crise climatique dans leurs contextes locaux.

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