Mário Macilau's exhibition at La Terrasse espace d'art de Nanterre curated by Elvira Dyangani Ose is a sensitive reflection on time and memory, which suggests both the strength and the fragility of the lives of past, present and future generations.
The Mozambican artist Mário Macilau combines in a single photograph portraits of families, often mother and child with surrounded abandoned places, especially buildings dating from the colonial era. Each photograph was taken with a single slow pause that allows him to aim the lens first at people and then at the scene.
Mário Macilau. Installation view of “Circle of Memories”at La Terrasse espace d’art de Nanterre, 2021.
Mário Macilau. Installation view of “Circle of Memories”at La Terrasse espace d’art de Nanterre, 2021.
Mário Macilau. Installation view of “Circle of Memories”at La Terrasse espace d’art de Nanterre, 2021.
Mário Macilau. Installation view of “Circle of Memories”at La Terrasse espace d’art de Nanterre, 2021.
Mário Macilau. Installation view of “Circle of Memories”at La Terrasse espace d’art de Nanterre, 2021.
Mário Macilau. Installation view of “Circle of Memories”at La Terrasse espace d’art de Nanterre, 2021.
Mário Macilau. Installation view of “Circle of Memories”at La Terrasse espace d’art de Nanterre, 2021.
Mário Macilau. Installation view of “Circle of Memories”at La Terrasse espace d’art de Nanterre, 2021.
Mário Macilau. Installation view of “Circle of Memories”at La Terrasse espace d’art de Nanterre, 2021.
Mário Macilau. Installation view of “Circle of Memories”at La Terrasse espace d’art de Nanterre, 2021.
Mário Macilau. Installation view of “Circle of Memories”at La Terrasse espace d’art de Nanterre, 2021.
Mário Macilau. Installation view of “Circle of Memories”at La Terrasse espace d’art de Nanterre, 2021.
Mário Macilau. Installation view of “Circle of Memories”at La Terrasse espace d’art de Nanterre, 2021.
Mário Macilau. Installation view of “Circle of Memories”at La Terrasse espace d’art de Nanterre, 2021.
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![(clockwise) Manyaku Mashilo, Passage to Prayer (detail), 2023. Credit: Hayden Phipps & Southern Guild Archives. Courtesy of the artist; Tatenda Chidora, Self isolation II, 2021. Ilford Gold fibre Pearl 290gsm, 102cm x 132cm. Courtesy of the artist; Anaïs Cheleux, Mas Maten, Guadeloupe, shot on digital camera, 2016. Courtesy of the artist; Glicéria Tupinambá, Manto tupinambá [Tupinambá Mantle], 2023. Courtesy of the artist. Foto: Glicéria Tupinambá; Elizabeth Catlett, African American, 2009, MUSEUM MMK FÜR MODERNE KUNST, © Elizabeth Catlett Family Trust / VG Bild-Kunst, Bonn 2023, photo: Axel Schneider.](https://contemporaryand.com/wp-content/uploads/2024/12/Bildschirmfoto-2024-12-19-um-21.08.13-320x200.png)
![(clockwise) Manyaku Mashilo, Passage to Prayer (detail), 2023. Credit: Hayden Phipps & Southern Guild Archives. Courtesy of the artist; Tatenda Chidora, Self isolation II, 2021. Ilford Gold fibre Pearl 290gsm, 102cm x 132cm. Courtesy of the artist; Anaïs Cheleux, Mas Maten, Guadeloupe, shot on digital camera, 2016. Courtesy of the artist; Glicéria Tupinambá, Manto tupinambá [Tupinambá Mantle], 2023. Courtesy of the artist. Foto: Glicéria Tupinambá; Elizabeth Catlett, African American, 2009, MUSEUM MMK FÜR MODERNE KUNST, © Elizabeth Catlett Family Trust / VG Bild-Kunst, Bonn 2023, photo: Axel Schneider.](https://contemporaryand.com/wp-content/uploads/2024/12/Bildschirmfoto-2024-12-19-um-21.08.13-480x300.png)
