Editorial

Senga Nengudi. Photo: Ron Pollard. Courtesy Sprüth Magers Gallery

News

Senga Nengudi is Recipient of the 2023 Nasher Prize

American artist Senga Nengudi receives the prestigious $100,000 award presented by the Nasher Sculpture Center for genre-expanding sculpture.

Hambre Publications. Courtesy of Hambre.

#weavingnetworks

Thoughts on Collective Archives

The collectives Hambre, Kayfa ta, Jatiwangi art Factory, and the Black Archives discuss perspectives on collective publishing and archiving.

La Impresora, Installation View exhibition documenta fifteen, 2022. Courtesy of La Impresora.

#weavingnetworks

Amplifying the Voices of Local Communities

The collectives LA IMPRESORA, Más Arte Más Acción, Jalada Africa, and Sa Sa Art Projects talk about collaborative publishing and sharing practices.

(Clockwise) Karimah Ashadu. Portrait by Aigberadion Israel Ikhazuangbe; Film Still Detail

News

Prize of the Böttcherstraße 2022 goes to Karimah Ashadu

The artist Karimah Ashadu wins one of the most renowned art prizes in the German-speaking world for her film installation "Cowboy".

Gerard Sekoto, Song of the Pick, 1947, huile sur carton, Courtesy South 32 Collection, dépôt à Javett Arts Centre, Pretoria © ADAGP, Paris 2022

Globalisto: A Philosophy in Flux

Mo Laudi’s Take on Pan-Africanism

The exhibition Globalisto: A Philosophy in Flux at MAMC+ shares observations on translocality and cultural hybridity.

Ijeoma Loren Uche-Okeke in April 2022 at the opening of

News

Ijeoma Loren Uche-Okeke (1972 – 2022)

Ijeoma Uche-Okeke, curator and director of Asele Institute, has passed away.

Tony Cokes. Fragments, or just Moments
Installationsansicht / Installation view
Haus der Kunst, 2022
Photo: Maximilian Geuter

Installation View

Tony Cokes: Fragments, or just Moments

Haus der Kunst is hosting Germany’s first solo show of the artist Tony Cokes who is becoming one of the most important, post-conceptual artists.

Frédéric Bruly Bouabré. Le Dieu Solaire APIS (Égyptien) me présente, ici, l’aspect d’un message pictographique que j’essaie d’interpréter à ma façon, au verso du tableau from Connaissance du monde. 1991. Colored pencil and ballpoint pen on board, 6 ⅜ × 12 ⅜” (16.2 × 31.5 cm). The Museum of Modern Art, New York. The Jean Pigozzi Collection of African Art. © 2022 Family of Frédéric Bruly Bouabré

World Unbound

With Substance and Context against Misinterpretation: Fédéric Bruly Bouabré’s Retrospective at MoMa

The exhibition pays Ivory Coast’s most significant 20th-century artist long-overdue appreciation and manifests his importance within art history.

Sammy Baloji, …AND TO THOSE NORTH SEA WAVES WHISPERING SUNKEN STORIES (II), 2021, installation view, 12th Berlin Biennale, Akademie der Künste, Hanseatenweg, 11.6.–18.9.2022, photo: dotgain.info

In Conversation

Marie Hélène Pereira: “I’m very fond of conversations that take you out of the over-intellectualization of things”

Magnus Elias Rosengarten met up with the co-curator of the Berlin Biennale to talk about real encounters, global challenges, and inspirations.

Clockwise: By Gloria Kiconco, Yina Jiménez Suriel, Serine Ahefa Mekoun and Russel Hlongwane

Out now! New Print Issues: C& and documenta fifteen

The Stuff That New Networks Are Made Of

Ann Mbuti looks behind the scenes of a joint project between C& and documenta fifteen that has resulted in four very unique print issues.

Rindon Johnson Receives Ernst Rietschel Art Prize for Sculpture 2022

News

Rindon Johnson Receives Ernst Rietschel Art Prize for Sculpture 2022

Johnson's art practice blurs the lines between sculpture, photography, performance, poetry and virtual reality, fusing language with art.

Victor Fotso Nyie. Installation View, SEDIMENTS. After Memory @ Mattatoio, Roma 2022 © SPAZIO GRIOT. Photo: Elia Buonora

Installation View

SEDIMENTS. After Memory

At Mattatoio in Rome, the group exhibition reflects on the hypermodern (dis)order of the world and examines the question of what will remain.

INVENTING YOUR OWN GAME

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Ecologies

C& and C&AL invited organizations, artists, and activists from Black and Indigenous perspectives to discuss, contextualize, and reflect on the relationship between neocolonial structures and the climate crisis in their local contexts.

C& Print

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