Another 68!
The underrepresented Zimbabwean Guerilla Women’s Rebellion played a key role in the country’s…
The political and cultural repercussions of the 1968 global riots have been extensively…
Racism: a bigger picture
The unfading legacies of Western racism is a paradigm C& continuously examines through…
C& Center of Unfinished Business
In this series, C& and ArtsEverywhere commission texts inspired by the books in…
The World's Game
Football is more than a game. Various contemporary artists have fiercely explored the…
10th Berlin Biennale Special
Dineo Seshee Bopape's complex creativity gives form to a practice that is simultaneously…
Religion as Inspiration
Among black women artists from Brazil, she is one of the few who…
Argentina's Black Legacy
The “disappearance of the black” in Argentinian identity is one of the most…
Photography
In recent years, the Afro-Iranian community has been under the spotlight. In 2015…
#BlackHistoryMonth
In honor of #BlackHistoryMonth another article from the C& Archive! Cultural anthropologist Misa…
C& Print Issue #8
The Cameroonian capital’s very first contemporary art gallery is rekindling the ambition of…
![(left) Cover of Frantz Fanon, Black Skin, White Masks (right) Lyle Ashton Harris, Brotherhood, Crossroads and Etcetera #3 [in collaboration with Thomas Allen Harris], 1994. Courtesy the artist.](https://contemporaryand.com/wp-content/uploads/2018/06/Bildschirmfoto-2018-06-21-um-20.20.21.jpg)
