Editorial

César Schofield Cardoso, Perpetual Cycle from Rust series, 2017. Courtesy the artist.

“Afterlives of History”

Les temporalités stratifiées du Cap-Vert émergent dans l’œuvre de César Schofield Cardoso

Ana Nolasco explore l'œuvre de César Schofield Cardoso, en examinant le passé colonial du Cap-Vert, la mémoire et…

Performance by Seyi Adelekun, Healing Forest - An Ecology of Spiritual Herbalism, KLA ART 2024 (Photo credit: Ethel Aanyu)

Communautés artistiques

L’appel de Kampala : les artistes africains et de la diaspora affluent en Ouganda

Anna Adima médite sur l’accueil de la communauté et l’ingéniosité de la scène artistique de Kampala en pleine expansion.

Unidigrazz, Meia riba kalxa, 2020. Courtesy of the artists. Photo: Chris Costa.

"Afterlives of History"

Unidigrazz: A Collective Practice and a Holding Place

The multifacted work of Unidigrazz invites us to revisit domestic scenes as a way to critically reclaim public space.

 
Wanini Kimemiah, Namanga Yellows, 2020, digital photograph. Courtesy of the artist.

C& x Stedelijk Editorial Fellowship: Wanini Kimemiah

To Spring From Salted Earth

Fellow Wanini Kimemiah presents an editorial essay that introduces eight texts exploring the complex legacies of colonial histories in Kenya.

The Secret Apothecary by Cynthia Nyakiro Ngunjiri.

C& x Stedelijk Editorial Fellowship

The Secret Apothecary

Cynthia Nyakiro Ngunjiri presents a visual art project in process featuring plant motifs inspired by her family’s generational knowledge of medicinal.

 
Alioune Diouf, Le Boulevard, 2020. Installation view at Selebe Yoon, Dakar.

Installation view

Alioune Diouf: Ubeku – Ouverture

In the center of Dakar a new art space opened: Selebe Yoon shows as its inaugural exhibition Ubeku ("Overture") by Senegalese artist Alioune Diouf.

Ivana Pavlickova, Killjoy, Ceramics, 2020. Courtesy the artist.

In Conversation with Ivana Pavlickova

Free-spirited Objects

Afro-Czech artist Ivana Pavlickova speaks about her interest in the non-human and the…

Makhosazana Xaba's poetry in the book. Courtesy of Natal Collective

Book Review: There are mechanisms in place

Place-making in the World of Sunstrum’s Paintings

The Johannesburg-based curator Boitumelo Tlhoaele writes on the figurative artist’s Sunstrum’s works and…

Julia Grosse and Yvette Mutumba. Photo: Benjamin Renter

15th European Cultural Brand Awards

Julia Grosse and Yvette Mutumba awarded « European Cultural Manager of the Year » 2020

We are so thrilled that Julia Grosse and Yvette Mutumba received the "European…

Wu Tsang, Safe Space, 2014. Installation view at Lafayette Anticipations, Paris.

Installation View #museumshutdown

Wu Tsang: visionary company

Hundreds of independent art and museums spaces are forced to close again due…

Not Fully Human, Not Human at All, Saddie Choua, installation view, Kunstverein in Hamburg, 2020, Photo: Fred Dott

Installation View #museumshutdown

Not Fully Human, Not Human at All

Hundreds of independent art and museums spaces are forced to close again due…

(clockwise) Kamala Harris, Stacey Abrams, Keisha Lance-Bottoms, Patrisse Cullors, Alicia Garza and Opal Tometi.

Michelle M. Wright: “We must take the long view”

The Day After the US Election/The US Election After the Day

Academic and cultural producer Michelle M. Wright reflects on the current political situation…

Yesomi Umolu. Photo: Nicolette Nunez.

Serpentine Galleries

Yesomi Umolu Is the New Director of Curatorial Affairs and Public Practice

Aimed at making Serpentine programmes more inclusive and accessible to all audiences, Yesomi…

Emo de Medeiros, Vodunaut #003 (Hyperceiver), 2018, motorcycle helmet, cowries, spray paint, smartphone, HD video, 40 x 40 x 30 cm, courtesy of the artist

Gwangju Biennale

The 13th Gwangju Biennale 2021 Reveals List of Participants

The Artistic Directors of the 13th Gwangju Biennale, Defne Ayas and Natasha Ginwala,…

Archive, Installation view

Installation View #museumshutdown

1 Million Roses for Angela Davis

Hundreds of independent art and museums spaces are forced to close again due…

Victor Odiba, Aisha Yesufu addressing an #EndSARS protest in Abuja, 2020. Courtesy the artist.

Nigeria: #EndSARS

The Art Behind the Protest

As the #EndSARS protests about police brutality in Nigeria gained momentum, from the…

Amaryllis DeJesus Moleski, I was not a person, I was a place, 2020, gouache, watercolor, acrylic, cut paper, graphite, colored pencil, and airbrush on paper, sheet size 79.6 x 123.4 cm (31.3 x 48.5 inches), Courtesy the artist and Luce Gallery, Turin, Photo Andrea Ferrari

Installation View #museumshutdown

Amaryllis DeJesus Moleski: Said the Rainbow to the Grave

Hundreds of independent art and museums spaces are forced to close again due…

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