Editorial

Installation view

Saison Africa2020: Vue de exposition

Distance ardente

Les onze artistes de l’exposition installés au Musée régional d’art contemporain Occitanie de…

Eva Obodo, Nightmare, 2020. Jute cloth, thread 235 x 206 x 46cm. Courtesy the artist and kó gallery.

Art Education

The New Nsukka Art School: Between Continuity and Change

The kó art gallery in Lagos is presenting a series of exhibitions of…

Danielle A. Jackson. Photo by Elliott Jerome Brown Jr. (Detail)

New Hire

Danielle A. Jackson Appointed Curator at Artists Space

Artists Space in New York announced that Danielle A. Jackson is joining the…

Janine Jembere, to cite: diaspora, sound installation, 37:06 minutes, paper prints, 2019, Photo: Kashira Dowridge

Good to Hear

These Are the Podcasts You Need to Follow

Knowledge production has never been so swift, intersectional, and accessible. And much of…

Georges Adéagbo. La lumière qui fait le bonheur… Installation view Maschinenhaus M2, KINDL – Centre for Contemporary Art, Berlin © Georges Adéagbo / VG Bild-Kunst Bonn, 2021. Foto: Jens Ziehe, 2021© Georges Adéagbo / VG Bild-Kunst Bonn, 2021 
Foto: Jens Ziehe, 2021

Installation View

Georges Adéagbo: La lumière qui fait le bonheur…

Beninese artist Georges Adéagbo has a solo show at KINDL Berlin. Curated by…

Rashid Johnson, Antoine’s Organ, 2016. Black steel, grow lights, plants, wood, shea butter, books, monitors, rugs, piano, 189 x 338 x 126 3/4 in (480 x 858.5 x 322 cm). © Rashid Johnson. Courtesy the artist and Hauser & Wirth

Okwui Enwezor's last exhibition

Black Grief and White Grievance

At New York’s New Museum, the last exhibition conceived by Okwui Enwezor functions…

Baule Women, 1928, Unknown, Cote d’Ivoire. Courtesy of The McKinley Collection and The African Lookbook

In Conversation

Catherine E. McKinley: ‘I have gathered these images, not just for me, but for you’

Ethel-Ruth Tawe talks to the author of The African Lookbook: A Visual History…

Wood Picture, c. 1967. Courtesy of Galerie Lelong & Co.

Inventer son propre terrain

La pensée abstraite de Mildred Thompson

Au cours de la période dite « d'après-guerre », de nombreux artistes noir·es…

Sofía Hernández Chong Cuy in front of Kunstinstituut Melly. Photo: Aad Hoogendoorn

FKA WDW

What’s at Stake in Decolonizing an Art Institution?

A Rotterdam art institute announces its new decolonial name. Will Furtado weighs in…

View of the Noldor Artist Residency, Labadi, Accra. Courtesy of the Noldor Artist Residency

Noldor Artist Residency

Ghana’s First Independent Arts Residency Announces Expansion and Fellowship Programs

Noldor reveals extensive expansion plans and welcomes Gideon Appah, Abigail Aba Otoo and…

Euridice Kala, detail of I, the Archive, Villa Vassilieff, Paris, 2020. Photo by Aurélien Mole

In Conversation

Euridice Kala: Rethinking the Archive

The Mozambican artist spoke to Sean O’Toole about her personal approaches to archives,…

The Nominees for 2021 (clockwise from left top) Lamin Fofana © Isabel O’Toole; Calla Henkel und Max Pitegoff © Calla Henkel & Max Pitegoff;  Sandra Mujinga © Sjur Einen Sævik; Sung Tieu © Diana Phammatter

Preis der Nationalgalerie

Preis der Nationalgalerie Reveals Shortlist for 2021

Lamin Fofana and Sandra Mujinga are among the nominees for the 2021 Preis…

INVENTER SON PROPRE TERRAIN

Explorer

Ecologies

C& et C&AL a invité de perspectives noires et autochtones à débattre, mettre en contexte et réfléchir au rapport qui existe entre les structures néocoloniales et la crise climatique dans leurs contextes locaux.

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