Editorial

César Schofield Cardoso, Perpetual Cycle from Rust series, 2017. Courtesy the artist.

“Afterlives of History”

Les temporalités stratifiées du Cap-Vert émergent dans l’œuvre de César Schofield Cardoso

Ana Nolasco explore l'œuvre de César Schofield Cardoso, en examinant le passé colonial du Cap-Vert, la mémoire et…

Performance by Seyi Adelekun, Healing Forest - An Ecology of Spiritual Herbalism, KLA ART 2024 (Photo credit: Ethel Aanyu)

Communautés artistiques

L’appel de Kampala : les artistes africains et de la diaspora affluent en Ouganda

Anna Adima médite sur l’accueil de la communauté et l’ingéniosité de la scène artistique de Kampala en pleine expansion.

Unidigrazz, Meia riba kalxa, 2020. Courtesy of the artists. Photo: Chris Costa.

"Afterlives of History"

Unidigrazz: A Collective Practice and a Holding Place

The multifacted work of Unidigrazz invites us to revisit domestic scenes as a way to critically reclaim public space.

 
Wanini Kimemiah, Namanga Yellows, 2020, digital photograph. Courtesy of the artist.

C& x Stedelijk Editorial Fellowship: Wanini Kimemiah

To Spring From Salted Earth

Fellow Wanini Kimemiah presents an editorial essay that introduces eight texts exploring the complex legacies of colonial histories in Kenya.

The Secret Apothecary by Cynthia Nyakiro Ngunjiri.

C& x Stedelijk Editorial Fellowship

The Secret Apothecary

Cynthia Nyakiro Ngunjiri presents a visual art project in process featuring plant motifs inspired by her family’s generational knowledge of medicinal.

 
Aindrea Emelife (left) and Chika Okeke-Agulu (right). Courtesy of EMOWAA.

News

EMOWAA Appoints Chike Okeke-Agulu and Aindrea Emelife

To strengthen the focus on Modern and Contemporary Art, the museum appoints Chike Okeke-Agulu as senior advisor and Aindrea Emelife as curator.

Le Cake-Walk: Caucasian Chalk Circle (#9.1 & #9.2 Diptych), 2020, Heather Agyepong. (Commissioned by The Hyman Collection)

In Conversation

Heather Agyepong Engages with the Cakewalk

Exploring resistance through performance, the exhibition Wish You Were Here presents the artist’s interpretations of Aida Overton Walker's legacy.

Courtesy of the Museums.

News

SFMOMA and MoAD Announce Joint Curatorial Position on Art of The African Diaspora

New role will advance scholarship and public engagement with African Diasporic Art and Culture and generate new pipeline for curatorial talent.

Otobong Nkanga, Social Consequences III: The Choice we Make, 2009. Courtesy of the Artist

C&10

Porter notre attention aux artistes plutôt qu’aux zones géographiques

Afin de rendre hommage aux excellentes contributions de nos auteur·rice·s, nous avons exhumé quelques pièces d’anthologie de nos archives.

(right) Marlou Fernanda, “Like Me Know, Ego, Death”. (2022). Courtesy of the artist. (left) Marlou Fernanda, “Old Answers New Questions”. (2022). Courtesy of the artist.

Être femme et noire

Marlou Fernanda : une mise en lumière de son moi profond par l’art

L’artiste donne à voir ses dialogues intérieurs avec une force créatrice qui défie le monde de l’art néerlandais dominé par les mâles cis blancs.

C& Office and Reading Room, Nairobi. Photo: C&

Inside the Library

Salle de lecture C&, Nairobi

V for 5 présente cinq livres de notre salle de lecture C&, qui sont certaines publications souvent oubliées, pourtant essentielles au discours.

Isaac Julien, Once Again...(Status Never Die), 2022. Installation view at Sharjah Biennial 15. Photo: C&.

Installation View II

Sharjah Biennial 15: Thinking Historically in the Present II

SB15 reflects on Okwui Enwezor’s visionary work, which transformed contemporary art and has influenced institutions and biennials around the world.

Sharjah Biennial 15: Thinking Historically in the Present

Installation View

Sharjah Biennial 15: Thinking Historically in the Present

SB15 reflects on Okwui Enwezor’s visionary work, which transformed contemporary art and has influenced institutions and biennials around the world.

Judy Bowman. Mom In Harlem, 2019. 36 x 48 in91.4 x 121.9 cmCourtesy of the artist.

Installation View

Judy Bowman: Gratiot Griot

Gratiot Griot is the first solo museum exhibition of artist Judy Bowman highlighting her extensive career as a storyteller of African American life.

Famakan Magassa, La Ballade Noctambule. Acrylic on canvas, 145 x 149 x 3cm. IMAGE courtesy of the artist.

News

2023 Norval Sovereign African Art Prize Goes to Famakan Magassa

In its second edition, the award recognizes Magassa's work with R500,000 and a solo exhibition at the Norval Foundation.

‘Leave the Edges’ by Baff Akoto © Rencontres Bamako

13ᵉ édition des Rencontres de Bamako

Adopter des pratiques et des attitudes durables face à l’incertitude politique

Annie-Marie Akussah, artiste participante et autrice nous fait part de sa perspective sur la Biennale de la photographie.

(left) Kapwani Kiwanga. © Bertille Chéret; (right) Installation view at Venice Biennale 2022. Courtesy of La Biennale di Venezia.

News

Kapwani Kiwanga to Represent Canada at 2024 Venice Biennale

With her insightful multidisciplinary work on power asymmetries, Kiwanga is recognized as one of the country’s most acclaimed contemporary artists.

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