Artist Portrait
A recent Samson Mnisi exhibition was a testament to how the artist could invite viewers into a spiritual place he occupied.
Film et Cinema
Prolongeant la réflexion sur les pratiques de l’image en Afrique, «The African Gaze» d’Amy Sall ouvre de nouvelles perspectives.
Film et cinéma
Fondé en 1969, le FESPACO, se réinvente, tout en restant à l'écoute des possibilités politiques et alchimiques du cinéma.
Revue
La curatrice Amandine Nana réunit des pratiques de célébration et de rassemblement comme instruments de résistance dans sa toute dernière exposition.
Film & Cinema
Vusumzi Nkomo revient sur The Other Side of Now au Zeitz MOCAA, une exposition qui examine le passé et les effets persistants de la guerre impériale.
Year-in-Review
It has been another year of expanding networks, fostering dynamic collaborations, and producing exceptional art writing.
14e Biennale africaine de la photographie
Le principal festival de photographie du continent est un cri à l'autonomie africaine et une plateforme pour de nouvelles voix, écrit Obidike Okafor.
Dak'Art 2024
Haja Fanta analyse la célèbre biennale et en interroge la cohérence conceptuelle tout en admirant sa composition.
Restitution
Can the French restitution of some of Benin’s royal treasures constitute a new beginning? Mati Diop’s new film, Dahomey, delves this question.
60th Venice Biennale
For Dagmawit Abebaw Hunz the inaugural pavilion of Ethiopia shines, but also brings up colonial wounds and art-world inequalities.
Njabala Foundation
On a curatorial trip to Kampala, curator Rosie Olang’ Odhiambo shares her impressions in a letter to a loved one in Nairobi.
Giants: Art from the Dean Collection of Swizz Beatz and Alicia Keys
C&'s Nan Collymore visited the highly acclaimed exhibition at the Brooklyn Museum and found many things to fall in love with.
![(clockwise) Manyaku Mashilo, Passage to Prayer (detail), 2023. Credit: Hayden Phipps & Southern Guild Archives. Courtesy of the artist; Tatenda Chidora, Self isolation II, 2021. Ilford Gold fibre Pearl 290gsm, 102cm x 132cm. Courtesy of the artist; Anaïs Cheleux, Mas Maten, Guadeloupe, shot on digital camera, 2016. Courtesy of the artist; Glicéria Tupinambá, Manto tupinambá [Tupinambá Mantle], 2023. Courtesy of the artist. Foto: Glicéria Tupinambá; Elizabeth Catlett, African American, 2009, MUSEUM MMK FÜR MODERNE KUNST, © Elizabeth Catlett Family Trust / VG Bild-Kunst, Bonn 2023, photo: Axel Schneider.](https://contemporaryand.com/wp-content/uploads/2024/12/Bildschirmfoto-2024-12-19-um-21.08.13.png)
