Ghana Pavilion Announces Exhibition and Artists for Venice

Curated by Nana Oforiatta Ayim, Ghana presents "Black Star: The Museum as Freedom" featuring Na Chainkua Reindorf, Afroscope and Diego Araúja.

Na Chainkua Reindorf, Lara, 2021. Photo: Na Chainkua Reindorf.

Na Chainkua Reindorf, Lara, 2021. Photo: Na Chainkua Reindorf.

The Ghana Pavilion at the 59th International Venice Biennale curated by Nana Oforiatta Ayim announced the exhibition Black Star: The Museum as Freedom featuring new works by Na Chainkua Reindorf, Afroscope and Diego Araúja. The Biennale is on view for the public from Saturday, April 23 until Sunday, November 27, 2022.

Following its highly acclaimed debut at the 2019 Biennale, Ghana will present the exhibition Black Star—The Museum as Freedom. Titled after the Black Star that symbolises Ghana through its flag, national football team, and most important monument, it also became a symbol of the connection of Africa with its diasporas through Marcus Garvey’s Black Star Line and his Back-to-Africa movement revived now in Ghana as Beyond the Return; as well as for Pan-Africanism and anti-colonialism with the symbol described as the “Lodestar of African Freedom.” The pavilion exhibition examines new constellations of this freedom across time, technology and borders. It includes large-scale installations by Na Chainkua Reindorf, Afroscope and Diego Araúja, in an exhibition designed by architect DK Osseo Asare, and curated by Nana Oforiatta Ayim, Director of ANO Institute of Arts & Knowledge in Accra and Director at Large of Ghana’s Museums and Cultural Heritage.

Na Chainkua Reindorf takes masquerade and secret society traditions that historically were largely male, and creates her own mythology of Mawu Nyonu, a fictional secret society made of seven women, at one with the elements around them.

This notion of oneness is taken further by Afroscope’s work Ashe, which explores the spirit that runs through all the elements, using technology as a translator of the flow of life, as exemplified by water.

The theme also underpins Diego Araúja’s work, A Congress of Salt, in which the Atlantic Ocean that served to separate those taken from the shores of West Africa to its diasporas, now acts as a unifier, the birthplace of a new creole.

The installation in Venice will be designed by architect DK Osseo-Asare, co-founding principal of Low Design Office (LOWDO), a trans-Atlantic architecture and integrated design studio based in Ghana and Texas.

The Venice exhibition is framed by Nana Oforiatta Ayim’s concept of the Mobile Museum, which travels into communities across Ghana in co-curation and exchange, with the aim of creating accessible, contextual, inclusive spaces. In Venice, the Mobile Museum programme will be presented during the Biennale Arte season with events and workshops created in collaboration with diverse communities across the city.



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