A lot has been happening... and there’s more to come. We are looking back at an intense year with both very enriching and very sad moments. One thing which was always consistent are the skills of our writers from all around the world. Here is a little selection of the best stories of 2019.
Zoe Samudzi has co-penned As Black as Resistance with William C. Anderson. In the book, they show the centrality of anti-Blackness to the foundational violence of the United States and make the case for a new program of self-defense and transformative politics for Black Americans. At the end of 2018, Samudzi curated a show in Oakland, California, at Ashara Ekundayo, a gallery dedicated exclusively to Black female artists. In this interview, Will Furtado speaks to Samudzi about institutional space to focus on Black womxn’s cultural production, narrow representations of the African continent, and the exceptionalization of Blackness through major art awards.
In our latest series – Female Pioneers – we look at female artists from Africa who have made major contributions to art on the continent. This time we reflect on the work of Ghanaian photographer Felicia Abban. In the 1950s she started as her father’s apprentice in a seaside town in the Western Region of Ghana. She would, however, go on to become one of the continent’s most respected photo artists of her day – on the payroll of Kwame Nkrumah and a detailed analyst of her country’s transformation.
Our author Enos Nyamor looks at digital arts from Africa and their potential for connection to the past and invention of the future.
The Netherlands was one of the most belligerent European colonial empires. Driven by commerce and spread over four continents, their imperial ambitions changed the lives and cultures of millions of people, from Indonesia to the Caribbean. In this series we speak to artists and arts practitioners dealing with the legacies of that empire, in the Netherlands and beyond. In this interview with artist Charl Landvreugd, Will Furtado discusses the specificity of the Afro-Dutch art discourse.
And on C& América Latina (C&AL)…
Brazilian artist and researcher uses items such as sugar in his performance pieces and installations to discuss the naturalization and erasure of a colonial past in everyday life.
On the occasion of the exhibition “Diago: The Pasts of this Afro-Cuban Present” at the Lowe Art Museum in Miami, C&AL spoke with curator Alejandro de la Fuente about Cuba’s official history, the current Cuban art scene and the role of Afro-Cuban artists.