“Afterlives of History”
Ana Nolasco explores César Schofield Cardoso’s work, examining Cabo Verde’s colonial past, memory, and the impact of global…
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Artistic Communities
Anna Adima reflects on the embrace of community and resourcefulness despite infrastructural challenges in Kampala’s rapidly expanding artistic scene.
"Afterlives of History"
The multifacted work of Unidigrazz invites us to revisit domestic scenes as a way to critically reclaim public space.
C& x Stedelijk Editorial Fellowship: Wanini Kimemiah
Fellow Wanini Kimemiah presents an editorial essay that introduces eight texts exploring the complex legacies of colonial histories in Kenya.
C& x Stedelijk Editorial Fellowship
Cynthia Nyakiro Ngunjiri presents a visual art project in process featuring plant motifs inspired by her family’s generational knowledge of medicinal.
Installation View
The show at Kunsthalle Zürich is akin to a park, a landscape that absorbs and surrounds us with the everyday, desire, narrative and countless contrast
ArtHARARE 2021
This edition of artHARARE, navigating through the city and diasporic experiences, allowed reflections on the possibilities of presenting art online.
News
Manuel Borja-Villel, Grada Kilomba, Diane Lima, and Hélio Menezes will co-curate the next Biennale taking place in 2023.
59th Venice Biennale 2022
We are sharing the open letter by artists and organizations in Namibia, expressing their concern about the National Pavilion at the Venice Biennale.
They are Akademie der Künste, Dekoloniale Memory Culture in the City, Hamburger Bahnhof, KW Institute for Contemporary Art and Stasi Headquarters.
ANNA and Latitudes, two female-centric South African brands, have joined forces to create an new art award nurture a new generation of women artists.
The National Pavilion of Namibia announces a Land Art project curated by Marco Furio Ferrario.
Currently Curator of Modern and Contemporary Art at the VMFA, Valerie Cassel Oliver has organized numerous acclaimed exhibitions.
In Conversation
In his exhibition Set It Off, Jeremy Toussaint-Baptiste investigates the relationship between sound, Black cultural traditions, and the body
From the Archive
From the reenactment of art conferences in Africa to South-South collaborations, we revisit articles that examine Blackness in a global art context.
Kresiah Mukwazhi, Wallen Mapondera, Terrence Musekiwa and Ronald Muchatuta are part of ‘I did not leave a sign?’ curated by Fadzai Veronica Muchemwa.
As part of Pace’s global sales team, Drew will work with and support the gallery’s artists, develop strategies, exhibitions, and public programming.
INVENTING YOUR OWN GAME
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Inventing your own game
In the post-war period, many pioneering Black artists were largely neglected by the Western art world…
Inventing Your Own Game
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Explore
C& and C&AL invited organizations, artists, and activists from Black and Indigenous perspectives to discuss, contextualize, and reflect on the relationship between neocolonial structures and the climate crisis in their local contexts.
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C& Print
Read all Print Issues here
LATEST EDITORIAL
Ana Nolasco explores César Schofield Cardoso’s work, examining Cabo Verde’s colonial past, memory, and…
Anna Adima reflects on the embrace of community and resourcefulness despite infrastructural challenges in…
The multifacted work of Unidigrazz, rooted in the area of Mem Martins, invites us…
As part of the Stedelijk x C& Editorial Fellowship, Wanini Kimemiah presents an editorial…
Cynthia Nyakiro Ngunjiri presents a visual art project in process featuring plant motifs inspired…
In her contribution, Mwende Ngao explores the complex relationship between urban life and nature…
