Installation View
This is not an exhibition of heroes and heroines in the posture so often privileged within Southern African…
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Art in Crisis
“Impact” is a slippery term, especially in the context of art. What constitutes it, and who gets to decide?
Opinion
On the nuances of the so-called rise and fall of Black figurative painting.
Afterlives of History
The Portuguese artist of Angolan descent doesn’t statically document his native Linha de Sintra, but embraces the permanence and transience of home.
News
The two curators will weave new narratives across geographies, histories, and imaginaries for the 17th edition, opening in January 2027.
Film & Cinema
Founded in 1969, the FESPACO is reviving itself while staying alert to the political and alchemical possibilities of film.
In Conversation
The two artists exchange thoughts on their common interest in the interplay of technology and culture, and how the tools we use reshape us.
From mutual aid to getting in trouble, what can we do as cultural workers amid the federal fearmongering in the US?
Review
Curator Amandine Nana brings celebration and community as tools of resistance in her most recent exhibition.
Editor’s Note
Reflecting on oral tradition, rhizomes, and opacity, C& Magazine’s new editor-in-chief, Ethel-Ruth Tawe, shares 3 notebook entries and an invitation.
A bold new editorial direction grounded in critical inquiry, collective care and creative…
C& x Académie des Traces
In collaboration with Académie des Traces, seven emerging scholars and museum professionals explore the traces of colonial heritage.
C& Center of Unfinished Business
From eighteenth-century philosopher Anton Wilhelm Amo to Johny Pitts’ twenty-first-century perspective via May Ayim.
Inside the Library
In this series, C& explores special book collections. This time, Keren Lasme shares her top five books from the queer-feminist space AWARE in Paris.
Dedicated to the emerging scene in Ghana, the final 5 are Sena Burgundy, Reginald Boateng, Emmanuel Aggrey Tieku, Nana Frimpong Oduro, and Dela Anyah.
Formerly at Zeitz MOCAA, the curator is appointed to lead the Africa collection and enhance community engagement at Royal Ontario Museum, Toronto.
From the Archive
Revisiting an earlier conversation with the artist from our archive, she reflects on her own archive of experiences that shape her sense of belonging.
INVENTING YOUR OWN GAME
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Inventing your own game
In the post-war period, many pioneering Black artists were largely neglected by the Western art world…
Inventing Your Own Game
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Explore
C& and C&AL invited organizations, artists, and activists from Black and Indigenous perspectives to discuss, contextualize, and reflect on the relationship between neocolonial structures and the climate crisis in their local contexts.
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C& Print
Read all Print Issues here
LATEST EDITORIAL
This is not an exhibition of heroes and heroines in the posture so often…
Reflecting on a residency program between Lamu Kenya and Basel Switzerland, writer Ann Mbuti…
The global market embraced art from Africa—but is that alone enough to sustain it?…
Through performance, sonic explorations and film, artist Tristany Mundu brings us into conversation with…
Angela Harutyunyan and Paula Nascimento will weave new narratives across geographies, histories, and imaginaries…
Sudan’s cultural memory has long been under attack —added to decades of state censorship…
