Editorial

César Schofield Cardoso, Perpetual Cycle from Rust series, 2017. Courtesy the artist.

“Afterlives of History”

Les temporalités stratifiées du Cap-Vert émergent dans l’œuvre de César Schofield Cardoso

Ana Nolasco explore l'œuvre de César Schofield Cardoso, en examinant le passé colonial du Cap-Vert, la mémoire et…

Performance by Seyi Adelekun, Healing Forest - An Ecology of Spiritual Herbalism, KLA ART 2024 (Photo credit: Ethel Aanyu)

Communautés artistiques

L’appel de Kampala : les artistes africains et de la diaspora affluent en Ouganda

Anna Adima médite sur l’accueil de la communauté et l’ingéniosité de la scène artistique de Kampala en pleine expansion.

Unidigrazz, Meia riba kalxa, 2020. Courtesy of the artists. Photo: Chris Costa.

"Afterlives of History"

Unidigrazz: A Collective Practice and a Holding Place

The multifacted work of Unidigrazz invites us to revisit domestic scenes as a way to critically reclaim public space.

 
Wanini Kimemiah, Namanga Yellows, 2020, digital photograph. Courtesy of the artist.

C& x Stedelijk Editorial Fellowship: Wanini Kimemiah

To Spring From Salted Earth

Fellow Wanini Kimemiah presents an editorial essay that introduces eight texts exploring the complex legacies of colonial histories in Kenya.

The Secret Apothecary by Cynthia Nyakiro Ngunjiri.

C& x Stedelijk Editorial Fellowship

The Secret Apothecary

Cynthia Nyakiro Ngunjiri presents a visual art project in process featuring plant motifs inspired by her family’s generational knowledge of medicinal.

 
Tamary Kudita, That evening sun goes down, 2020. Courtesy the artist.

ArtHARARE 2021

The Particularities of a Place

This edition of artHARARE, navigating through the city and diasporic experiences, allowed reflections on the possibilities of presenting art online.

Manuel Borja-Villel (photo: Joaquín Cortés/Roman Lores), Grada Kilomba

News

São Paulo Biennale Reveals Curatorial Collective

Manuel Borja-Villel, Grada Kilomba, Diane Lima, and Hélio Menezes will co-curate the next Biennale taking place in 2023.

Open Letter: « Not Our Namibian Pavilion »

59th Venice Biennale 2022

Open Letter: « Not Our Namibian Pavilion »

We are sharing the open letter by artists and organizations in Namibia, expressing their concern about the National Pavilion at the Venice Biennale.

Hamburger Bahnhof – Museum für Gegenwart – Berlin © David von Becker; Akademie der Künste, Hanseatenweg © Erik-Jan Ouwerkerk; Dekoloniale Memory Culture in the City © faf.berlin; Stasi Headquarters. Campus for Democracy © BStU/Dronebrothers; KW Institute for Contemporary Art © Frank Sperling

News

12th Berlin Biennale Revealed Venues

They are Akademie der Künste, Dekoloniale Memory Culture in the City, Hamburger Bahnhof, KW Institute for Contemporary Art and Stasi Headquarters.

A New Art Award Celebrates Women-Identifying Artists in South Africa

News

A New Art Award Celebrates Women-Identifying Artists in South Africa

ANNA and Latitudes, two female-centric South African brands, have joined forces to create an new art award nurture a new generation of women artists.

RENN, “Heading for 1 – big gathering” Number 27, desert stone and steel rod, h.150cm.

News

Namibian Pavilion Debuts at 59th Venice Biennale

The National Pavilion of Namibia announces a Land Art project curated by Marco Furio Ferrario.

Valerie Cassel Oliver. Photo: Travis Fullerton.

News

Valerie Cassel Oliver Receives Audrey Irmas Award for Curatorial Excellence

Currently Curator of Modern and Contemporary Art at the VMFA, Valerie Cassel Oliver has organized numerous acclaimed exhibitions.

Detail view of Jeremy Toussaint- Baptiste,

In Conversation

Jeremy Toussaint-Baptiste: Bass is Touch

In his exhibition Set It Off, Jeremy Toussaint-Baptiste investigates the relationship between sound, Black cultural traditions, and the body

Clockwise: Kyle Malanda, Who Will Bury You? III, 2018. Courtesy the artist; Ja’Tovia Gary, Image from Giverny I (Négresse Impériale), 2018. Courtesy the artist; kate-hers RHEE, And then there were none. ©2013, performance HD video and C-Print photography, courtesy of the artist.

From the Archive

Black (Art) History Month

From the reenactment of art conferences in Africa to South-South collaborations, we revisit articles that examine Blackness in a global art context.

Ronald Muchatuta, Kresiah Mukwazhi, Terrence Musekiwa, Wallen Mapondera, Fadzai Veronica Muchemwa.

News

Zimbabwe Pavilion Reveals Artists and Curator for Venice Biennale

Kresiah Mukwazhi, Wallen Mapondera, Terrence Musekiwa and Ronald Muchatuta are part of ‘I did not leave a sign?’ curated by Fadzai Veronica Muchemwa.

Kimberly Drew, Photography by Inez & Vinoodh

News

Kimberly Drew Joins Pace as Associate Director

As part of Pace’s global sales team, Drew will work with and support the gallery’s artists, develop strategies, exhibitions, and public programming.

Jepchumba, Practicing some digital painting (Detail), 2021. Courtesy the artist.

In Conversation

Nandi: An African-Made NFT Marketplace For the World

Nandi’s aim is to enable economic participation and cultural preservation of African creative content in the age of non-fungible tokens.

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C& et C&AL a invité de perspectives noires et autochtones à débattre, mettre en contexte et réfléchir au rapport qui existe entre les structures néocoloniales et la crise climatique dans leurs contextes locaux.

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