Editorial

César Schofield Cardoso, Perpetual Cycle from Rust series, 2017. Courtesy the artist.

“Afterlives of History”

Les temporalités stratifiées du Cap-Vert émergent dans l’œuvre de César Schofield Cardoso

Ana Nolasco explore l'œuvre de César Schofield Cardoso, en examinant le passé colonial du Cap-Vert, la mémoire et…

Performance by Seyi Adelekun, Healing Forest - An Ecology of Spiritual Herbalism, KLA ART 2024 (Photo credit: Ethel Aanyu)

Communautés artistiques

L’appel de Kampala : les artistes africains et de la diaspora affluent en Ouganda

Anna Adima médite sur l’accueil de la communauté et l’ingéniosité de la scène artistique de Kampala en pleine expansion.

Unidigrazz, Meia riba kalxa, 2020. Courtesy of the artists. Photo: Chris Costa.

"Afterlives of History"

Unidigrazz: A Collective Practice and a Holding Place

The multifacted work of Unidigrazz invites us to revisit domestic scenes as a way to critically reclaim public space.

 
Wanini Kimemiah, Namanga Yellows, 2020, digital photograph. Courtesy of the artist.

C& x Stedelijk Editorial Fellowship: Wanini Kimemiah

To Spring From Salted Earth

Fellow Wanini Kimemiah presents an editorial essay that introduces eight texts exploring the complex legacies of colonial histories in Kenya.

The Secret Apothecary by Cynthia Nyakiro Ngunjiri.

C& x Stedelijk Editorial Fellowship

The Secret Apothecary

Cynthia Nyakiro Ngunjiri presents a visual art project in process featuring plant motifs inspired by her family’s generational knowledge of medicinal.

 
Common Life, Zimbabwe and Uganda, Drawing by Charity Atukunda

Common Life

A Blueprint for Common Living

Researchers and arts initiatives collaborate to investigate overlaps between arts and community organization in Africa.

Cinthia Sifa Mulanga, All my Emos, 2022. Courtesy of Norval Foundation

News

Shortlist for The Norval Sovereign African Art Prize 2023 Revealed

30 artists are shortlisted for the second edition of the art prize, which includes a cash prize and a solo exhibition at the Norval Foundation.

Performance by Sarah Ndele

7e Biennale de Lubumbashi

ToxiCité : une Biennale horizontale collective

Costa Tshinzam a visité la Biennale qui se tient "indéniablement horizontale et collective" jusqu'au 6 novembre sous la direction artistique de Picha.

G.A.S. Buildings in Lagos and Ikise. Photography by Andrew Esiebo. Images © G.A.S. Foundation and Andrew Esiebo

News

Yinka Shonibare Launches G.A.S Foundation in Lagos

G.A.S is an non-profit project with two major new Nigeria-based creative hubs dedicated to art, design, architecture, agriculture and ecology.

Kamala Ibrahim Ishag, Blues for the Martyrs, 2022. Oil on canvas, 203 x 300cm. Courtesy the artist. Photo: Mohamed Noureldin Abdallah Ahmed. © Kamala Ibrahim Ishag.

Installation View

Kamala Ibrahim Ishag: States of Oneness

The exhibition of pioneering Sudanese artist Kamala Ibrahim Ishag celebrates the breadth and importance of her work spanning from the 1960s to today.

Frederick Ebenezer Okai, Fie, 2021. Courtesy the artist. Installation View of Earthy Structures and Contingent Breakthroughs at Gyamadudu Museum, Ghana.

Redefining Pottery

Frederick Ebenezer Okai Investigates the Possibilities of Clay

The artist’s solo exhibition explores his relationship with the earth and how his pottery is woven into the complex structures of Ghanaian society.

Art and the City

Exploring the Complexities of Urban Spaces

Different experiences and identities form a city. Joseph Omoh Ndukwu writes about how art examines the interior spaces of urban belonging.

Arsène Mpiana. Description: The Biennale crowd/partakers in front of the slag heap/terril of the former Gécamines mining site.

Biennale de Lubumbashi

Le collectif Picha répond à la tribune de Gloria Mpanga

Nous publions ici la réponse des commissaires de la 7e Biennale de Lubumbashi à la critique de l’autrice publiée avant l’ouverture

Hady Barry, Azi and Adjéla, from the series Wearing the Inside Out, 2022. Courtesy the artist.

Photographie

Hady Barry porte un regard intime sur l’amitié et la maternité

La série de photographies Wearing the Inside Out saisit l’intimité des proches de l’artiste guinéenne Hady Barry.

Dekoloniale Berlin Installation View, 2022 © Damian Charles

Installation View

Dekoloniale 2022 Residency Works

Dekoloniale Berlin presents an exhibition by Lulu Jemimah, Maya Alam and Vitjitua Ndjiharine,…

Screenshot network connections with Lagos © ifa/eflux

News

ifa Launches OtherNetwork – a Digital Platform for Independent Art Spaces

OtherNetwork will go online end of October as digital platform that networks independent art spaces and art projects around the world.

By Imani Jacqueline Brown

In Conversation

Imani Jacqueline Brown: What remains at the ends of the earth?

The artist and activist talks about the importance of ecological resistance and how it connects to our ancestors through the earth.

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