Critique

Whose surrealism?

On 'When Art Becomes Liberty'

Whose surrealism?

When Art Becomes Liberty: The Egyptian Surrealists (1938-1965) was on view in Cairo…

ART X Lagos brings a refreshing flavor to the aesthetic buds

A new art fair in Nigeria

ART X Lagos brings a refreshing flavor to the aesthetic buds

ART X Lagos took place from 4th to 6th November 2016.

Becoming Truly Global?

Curriculum of Connections: The International Summer Academy Salzburg

Becoming Truly Global?

When Oskar Kokoschka established the International Summer Academy Salzburg in 1953, such institutions…

A Collage of Constellations

Conference: “Now & Then…Here & There: Black Artists & Modernism”

A Collage of Constellations

A response by guest blogger Annie Jael Kwan

New Collaborative Concept or Pop (Re)invention?

Pop-Up Mash-Up in Luanda

New Collaborative Concept or Pop (Re)invention?

How to write about a process-based project without in fact having followed the…

What if science and history got it all wrong?

Review: Between One Time and Another

What if science and history got it all wrong?

Mathieu Kleyebe Abonnenc, Fadlabi, Rana Hamadeh and Kapwani Kiwanga engage the history of…

The Complex Identities of Africa

Review: Being and Becoming

The Complex Identities of Africa

Just in time for Africa Day, the exhibition Being and Becoming opened at…

Dada, what’s up with that?

Review: Dada Africa

Dada, what’s up with that?

Dadaism is the inspiration for an exhibition exploring its links with art from…

Through a Lens of Uncertainty

A group show: Cornfields in Accra...

Through a Lens of Uncertainty

Our author Moses Serubiri visited a group exhibition in Accra that reflects on…

A Riot of Colour, Pattern and Repetition

Review: Making and Unmaking

A Riot of Colour, Pattern and Repetition

Duro Olowu’s vibrant exhibition of design and art at London’s Camden Art Centre…

Dak’Art, chroniques du off

Dak'Art 2016

Dak’Art, chroniques du off

Cet article nous ouvre un regard sur les domaines divers du OFF du…

Encadrer l’imaginaire, et jouer le réel

Kinshasa : Décoloniser l’enseignement artistique II

Encadrer l’imaginaire, et jouer le réel

Artistes, enseignants et universitaires étaient réunis en début d’année à Kinshasa pour réfléchir…