The Suzanne Deal Booth / FLAG Art Foundation Prize goes to Lubaina Himid. The prize is endowed with $200,000. Himid will present a solo exhibition premiering at The Contemporary Austin in spring 2024 at The Contemporary’s downtown venue, the Jones Center on Congress Avenue. The exhibition will then travel to The FLAG Art Foundation in New York, where it will open in autumn 2024. The prize also includes an exhibition publication and public programming at both venues.

Lubaina Himid (b. 1954, Zanzibar) lives and works in Preston, UK, and is Emeritus Professor of Contemporary Art at the University of Central Lancashire. In 2017, Himid won the Turner Prize as first Black woman awardee of the prestigious British prize. She is currently the subject of retrospective at London’s Tate Modern.

Himid has exhibited extensively in the UK and abroad. A major monographic exhibition of Himid’s work opened at Tate Modern, London, 2021. Significant solo exhibitions include Water Has a Perfect Memory, Hollybush Gardens, London (2022); Spotlights, Tate Britain, London (2019); The Grab Test, Frans Hals Museum, Haarlem, The Netherlands (2019); Lubaina Himid, CAPC Bordeaux, France (2019); Work From Underneath, New Museum, New York (2019); Gifts to Kings, MRAC Languedoc Roussillon Midi-Pyrénées, Sérignan (2018); Our Kisses are Petals, BALTIC Centre for Contemporary Art, Gateshead (2018); The Truth Is Never Watertight, Badischer Kunstverein, Karlsruhe (2017); Navigation Charts, Spike Island, Bristol (2017); and Invisible Strategies, Modern Art Oxford (2017). Selected group exhibitions include Mixing It Up: Painting Today, Hayward Gallery, London; Relations: Diaspora and Painting, Esker Foundation, Calgary, Canada; Invisible Narratives 2, Yamamoto Keiko Rochaix, London; Unsettled Objects, Sharjah Art Foundation, Sharjah (all 2021); Frieze Sculpture, London (2020); Risquons-Tout, WIELS, Contemporary Art Centre, Brussels (2020); Slow Painting, Hayward Touring UK travelling exhibition (2020); En Plein Air, The High Line, New York (2019–2020); Sharjah Biennial 14, UAE (2019); Glasgow International (2018); Berlin Biennale (2018); The Place is Here, Nottingham Contemporary, UK (2017); Keywords, Tate Liverpool (2014); and Burning Down the House, Gwangju Biennale (2014). Her work is held in various museum and public collections, including Tate; British Council Collection; Arts Council Collection; UK Government Art Collection; Museum Ludwig, Cologne; Victoria & Albert Museum, London; National Museums Liverpool; Whitworth Art Gallery, Manchester; Hammer Museum, Los Angeles; and Rhode Island School of Design, Providence. A monograph, titled Lubaina Himid: Workshop Manual, was released in 2019 from Koenig Books.