Feature

SUD2013

When Art Metamorphizes the City…

The theme of the third edition of the triennial Salon Urbain de Douala…

In memoriam

Unathi Sigenu (1977-2013)

In their own words, Gugulective members bid farewell to fellow artist Unathi Sigenu.



Zeitz MOCAA (detail from artist's Impression). Courtesy Zeitz MOCAA

Zeitz Museum of Contemporary Art Africa

Africa to get its own mega-museum

A new Cape Town contemporary art museum showcasing the Zeitz Collection is more…

magazines

2013: a wrap

This year was marked by measurable gains for contemporary art from African perspectives…

Is contemporary African art the next big thing?

“African artists have now taken and secured their seat at the dinner table, invited or not!”

The media's huge interest in "contemporary African art" led us to the idea…

A new record for contemporary art in South Africa

Auction Sale ? Art History

The recent auction sale of Jane Alexander’s 1986 sculpture, Untitled, draws attention to…



Rencontres Picha, Biennale of Lubumbashi 2013. Courtesy: Picha

Lubumbashi Biennale

His query has continued to go around in my own head

Patrick Mudekereza comments on the Lubumbashi Biennal

Andrew Esiebo's Pride project

Everyone needs a barber

Obidike Okafor takes a closer look at Andrew Esiebo's journey across eight West…



Covers from 1966 and 2012. © Transition Magazine

Transition Magazine

A review tested by post-colonial Africa

Cédric Vincent about Transition Magazine.

Personally mapping LA

Art and community work

Personally mapping LA

Artist Mark Bradford engages in his old neighbourhood in South LA, where he…

Reflections on "Everyday Africa"

“They could be paintings”

Award winning Nigerian author Helon Habila reflects on the photo blog "Everyday Africa"

Kiluanji Kia Henda, Redefining The Power III, from ‘Series 75 with Miguel Prince’, 2011, triptych, photographic print mounted on aluminium, each: 120 × 80. © Kiluanji Kia Henda

The Luanda Art Scene

“The art world in Luanda is young and vibrant with a political impact that is yet to be understood”

Art critic and curator Suzana Sousa gives us an exclusive insight.


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