Review

A Woman of Hard Surfaces

A Solo Retrospective on Belkis Ayón

A Woman of Hard Surfaces

Since the end of last year the Fowler Museum in LA holds a…

Complicating the notion of identity

Comment: "My Future Nonidentity Will …”

Complicating the notion of identity

Three artists from the UK, the US and Canada strife for more authentic…

Brazil’s Territories

Afro-Brazilian Manifestations

Brazil’s Territories

The Territórios exhibition set out to highlight the importance of artists of African…

Desynchronizing Art History

Review: Living On – In Other Words, On Living

Desynchronizing Art History

The bold and groundbreaking exhibition project Living On, curated by Delal Isci and…

Exploring New Ideas in Photography

Review: Frontiers of the Present

Exploring New Ideas in Photography

Our author Thom Ogonga took a closer look at the exhibition that photographer…

Reviewed: Making Art in Africa 1960-2010

Publication

Reviewed: Making Art in Africa 1960-2010

“Making Art in Africa 1960 -2010” gives voice to various artist’s experiences and…

Lucy’s Iris

Contemporary women artists

Lucy’s Iris

From 7 July to 15 December 2016, twenty-five African women artists occupied the…

Red Africa Redux

Laboratory of Solidarity

Red Africa Redux

Our series Laboratory of Solidarity starts with a feature by Mark Nash focusing…

What’s the word from Johannesburg?

Black Portraiture[s] III: Reinventions: Strains of Histories and Cultures

What’s the word from Johannesburg?

A group of international artists and scholar gathered in Johannesburg’s Turbine Hall for…

Providing a platform for art from African Perspectives still makes a lot of sense

AKAA – Also known as Africa

Providing a platform for art from African Perspectives still makes a lot of sense

AKAA – the first art fair devoted to contemporary art and design from…

To Live is to be in the Moment

32nd Bienal de São Paulo

To Live is to be in the Moment

The title of the 32nd Bienal de São Paulo, INCERTEZA VIVA (Live Uncertainty),…

Whose surrealism?

On 'When Art Becomes Liberty'

Whose surrealism?

When Art Becomes Liberty: The Egyptian Surrealists (1938-1965) was on view in Cairo…


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