The Whitney Biennial 2017
Our author Will Furtado takes a closer look at this year's Whitney Biennal…
Review: The Probable Trust Registry: The Rules of the Game #1-3
Our author Jessica Aimufua takes a closer look at Adrian Piper's first solo…
Review on Postwar: Art Between the Pacific and the Atlantic, 1945-1965
What could lead a group of curators or an institution to set up…
South South Connections at the Goodman Gallery
The Goodman Gallery in South Africa opened its second exhibition under the initiative…
Exhibition Histories
In this series, C& is revisiting the most discussed, loved, hated, thought-provoking, and…
A Solo Retrospective on Belkis Ayón
Since the end of last year the Fowler Museum in LA holds a…
Comment: "My Future Nonidentity Will …”
Three artists from the UK, the US and Canada strife for more authentic…
Afro-Brazilian Manifestations
The Territórios exhibition set out to highlight the importance of artists of African…
Review: Living On – In Other Words, On Living
The bold and groundbreaking exhibition project Living On, curated by Delal Isci and…
Review: Frontiers of the Present
Our author Thom Ogonga took a closer look at the exhibition that photographer…
Publication
“Making Art in Africa 1960 -2010” gives voice to various artist’s experiences and…
Contemporary women artists
From 7 July to 15 December 2016, twenty-five African women artists occupied the…
![Chemi Rosado-Seijo, documentation of Salón-Sala-Salón (Labra) (Classroom/Gallery/Classroom [Labra]), Escuela Rafael María de Labra, San Juan, PR, August–December 2014. Courtesy the artist](https://contemporaryand.com/wp-content/uploads/2017/03/28_RosadoSeijo.C_01.sm_-2048x1558.jpg)
