Black Chronicles IV
In April of this year, the British Association of Black Photographers initiated yet…
1st Douala Art Fair
From June 1 to 3, 2018, Douala, Cameroon’s economic capital, hosted the first…
10th Berlin Biennale
In contrast to most biennials, constructed from the vision and concept of a…
Axé Bahia
The book offers a comprehensive framework that combines history with cultural and art…
Dak’Art 13 - Biennale de l'Art Africain Contemporain
Entitled L’heure Rouge (The Red Hour), Dak’Art 13 has invited 75 artists from…
“Joy Out of Fire”
In her polychrome murals, the Dominican artist revives forgotten images and depicts remarkable…
March Meeting 2018
From the New Museum Triennial’s Songs for Sabotage to the Triennial of Photography…
Jared Onyango: Me in a Square
At the Goethe-Institut in Nairobi, artist Jared Onyango captured the violent nature of…
MACAAL Marrakech
At the end of February 2018, Morocco opened its first museum for contemporary…
Powerful Reminders of Underserved Communities
In LaToya Ruby Frazier’s first commercial show in New York, the artist exhibits…
"Biafra of Spirit" in Prague
In the 1960s Czechoslovakia’s aspiration to a “socialism with a human face” and…
African Biennale of Photography
Entitled Afrotopia, the 11th Rencontres de Bamako – African Biennale of Photography brought…
![Members of the African Choir, London, 1891. By London Stereoscopic Company (left to right: Frances Gqoba; Katie Manye [later known as Katie Makanya]; Paul Xiniwe9 © Hulton Archive/Getty Images. Courtesy of Hulton Archive, and Autograph ABP, London. Supported by the National Lottery through the Heritage Lottery Fund.](https://contemporaryand.com/wp-content/uploads/2018/06/Bildschirmfoto-2018-06-15-um-11.42.48-1.jpg)
