Article

SUD2013

Quand l’art métamorphose la ville…

The theme of the third edition of the triennial Salon Urbain de Douala…

In memoriam

Unathi Sigenu (1977-2013)

In their own words, Gugulective members bid farewell to fellow artist Unathi Sigenu.



Zeitz MOCAA (detail from artist's Impression). Courtesy Zeitz MOCAA

Zeitz Museum of Contemporary Art Africa

L’Afrique aura son propre méga-musée

A new Cape Town contemporary art museum showcasing the Zeitz Collection is more…

magazines

2013: un condensé

This year was marked by measurable gains for contemporary art from African perspectives…

Is contemporary African art the next big thing?

« Les artistes africains ont bel et bien pris place à la table des grands, qu’ils y soient invités ou pas ! »

The media's huge interest in "contemporary African art" led us to the idea…

A new record for contemporary art in South Africa

VENTE AUX ENCHÈRES ? HISTOIRE DE l’ART

The recent auction sale of Jane Alexander’s 1986 sculpture, Untitled, draws attention to…



Rencontres Picha, Biennale of Lubumbashi 2013. Courtesy: Picha

Lubumbashi Biennale

Je garde cette question à l’esprit

Patrick Mudekereza comments on the Lubumbashi Biennal

Andrew Esiebo's Pride project

Everyone needs a barber

Obidike Okafor takes a closer look at Andrew Esiebo's journey across eight West…



Covers from 1966 and 2012. © Transition Magazine

Transition Magazine

Une revue à l’épreuve de la post-colonie

Cédric Vincent sur le magazine Transition.

Personally mapping LA

Art and community work

Personally mapping LA

Artist Mark Bradford engages in his old neighbourhood in South LA, where he…

Reflections on "Everyday Africa"

« They could be paintings »

Award winning Nigerian author Helon Habila reflects on the photo blog "Everyday Africa"

Kiluanji Kia Henda, Redefining The Power III, from ‘Series 75 with Miguel Prince’, 2011, triptych, photographic print mounted on aluminium, each: 120 × 80. © Kiluanji Kia Henda

La scène artistique de Luanda

«Le monde de l’art à Luanda est jeune et plein de vie, fort d’un impact politique qui reste à être compris.»

La critique d'art et commissaire d'exposition Suzana Sousa nous livre un aperçu exclusif.