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The Third Print Issue of C&AL

The Third Print Issue of C&AL

C&AL #3

Fresh from the press! The new Contemporary And América Latina (C&AL) Print issue is out now!

The print issue opens with features on two artists that are part of this year’s Berlin Biennale, one of the first large-scale art events to convene again physically: Alina Baiana and Naomi Rincón Gallardo talk about their artistic practices and the works they are contributing to the Biennale. The cultural mediator Luciane Ramos Silva and member of the magazine O Menelick 2º Ato spoke to the curatorial team of the Frestas: Art Triennial about the process of putting together such an event in these challenging times. Finally, Leticia Contreras reflects on her recurring examination of making and dismantling the idea of “home” and its many modes of belonging.

Read our third print issuehere!

The aim of C&AL is to reflect the artistic production and debates around Latin America, the Caribbean in relation to Africa. This means that we are constantly considering the many different and complex artistic perspectives.

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Feature

Abstract textile artwork made of layered grey mesh and frayed cream fabric, stitched with black thread, pinned to a white wall.

Iahra: Addressing Marine Ecology Through Industrial Materialities

Brazil

Black Aquatic

Illustration of a multi-armed, dark-skinned figure covered in leaves, crowned and riding a three-eyed tiger in a grassy field under a blue sky.

The Convergence of African and Indian Lives in Kelly Sinnapah Mary’s Paintings

Two people on a tiled roof raise a white flag with a portrait of a smiling young person against a blue sky.

Transforming Memories of State Violence through Poetic Justice

Guatemala

Memory

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Feature

A black bookshelf displays books, greeting cards, and African-inspired decor, with a white wall above featuring various framed art and prints.

Seed Archives: Celebrating African and Caribbean Design and Culture in London

A person with dark lines on their body squats on a stone block, holding another stone block with red carved text above their head.

Manuel Tzoc: Art as Embodied and Relational Poetry

Folk art painting of two children watering a flowering tree with prominent red roots, above a handwritten caption about anticolonial resistance.

Daniela Ortiz: Art as a Practice of International Solidarity

Peru

Colonialism