Here we share some installation views of the art work we spotted during the opening week at the Pavilions of the 59th Venice Biennale.
Jadé Fadojutimi, And that day, she remembered how to purr, 2022. Installation View at “The Milk of Dreams”. Photo: C&
Meta Vaux Warrick Fuller, Ethiopia Awakening, 1921. Installation View at “The Milk of Dreams”. Photo: C&
Kudzanai-Violet Hwami, The wedding of the astronauts 2, 2022. Installation View at “The Milk of Dreams”. Photo: C&
Jonathas de Andrade, With the heart coming out of the mouth at the, 2022. Installation view of the Brazilian Pavilion. Photo: C&
Jonathas de Andrade, With the heart coming out of the mouth at the, 2022. Installation view of the Brazilian Pavilion. Photo: C&
Phumulani Ntuli, Godide, 2022. Installation View of the South Africa Pavilion at the 59th Venice Biennale. Photo: C&
Phumulani Ntuli, Godide, 2022. Installation View of the South Africa Pavilion at the 59th Venice Biennale. Photo: C&
Lebohang Kganye. Installation View of the South Africa Pavilion at the 59th Venice Biennale. Photo: C&
Lebohang Kganye. Installation View of the South Africa Pavilion at the 59th Venice Biennale. Photo: C&
Roger Ballon, The Theater of the Apparitions, 2022. Installation View of the South Africa Pavilion at the 59th Venice Biennale. Photo: C&
Na Chainkua Reindorf. Installation View of the Ghana Pavilion at the 59th Venice Biennale. Photo: C&
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![(clockwise) Manyaku Mashilo, Passage to Prayer (detail), 2023. Credit: Hayden Phipps & Southern Guild Archives. Courtesy of the artist; Tatenda Chidora, Self isolation II, 2021. Ilford Gold fibre Pearl 290gsm, 102cm x 132cm. Courtesy of the artist; Anaïs Cheleux, Mas Maten, Guadeloupe, shot on digital camera, 2016. Courtesy of the artist; Glicéria Tupinambá, Manto tupinambá [Tupinambá Mantle], 2023. Courtesy of the artist. Foto: Glicéria Tupinambá; Elizabeth Catlett, African American, 2009, MUSEUM MMK FÜR MODERNE KUNST, © Elizabeth Catlett Family Trust / VG Bild-Kunst, Bonn 2023, photo: Axel Schneider.](https://contemporaryand.com/wp-content/uploads/2024/12/Bildschirmfoto-2024-12-19-um-21.08.13-320x200.png)
![(clockwise) Manyaku Mashilo, Passage to Prayer (detail), 2023. Credit: Hayden Phipps & Southern Guild Archives. Courtesy of the artist; Tatenda Chidora, Self isolation II, 2021. Ilford Gold fibre Pearl 290gsm, 102cm x 132cm. Courtesy of the artist; Anaïs Cheleux, Mas Maten, Guadeloupe, shot on digital camera, 2016. Courtesy of the artist; Glicéria Tupinambá, Manto tupinambá [Tupinambá Mantle], 2023. Courtesy of the artist. Foto: Glicéria Tupinambá; Elizabeth Catlett, African American, 2009, MUSEUM MMK FÜR MODERNE KUNST, © Elizabeth Catlett Family Trust / VG Bild-Kunst, Bonn 2023, photo: Axel Schneider.](https://contemporaryand.com/wp-content/uploads/2024/12/Bildschirmfoto-2024-12-19-um-21.08.13-480x300.png)
