Hundreds of independent art and museums spaces were forced to close due to the Corona-Crisis. In this series we are celebrating the fantastic artistic events that are right now sitting behind closed doors. This time it is Stan Douglas: Splicing Block curated by Paola Malavassi at Julia Stoschek Collection Berlin. Don't miss out to watch the 5-minutes excerpt of his 6-hour work Luanda-Kinshasa from 2013.
Stan Douglas, Luanda-Kinshasa, 2013, one-channel video installation, 361’ (loop), color, sound, dimensions variable. Courtesy of the artist, Victoria Miro and David Zwirner. Installation view Julia Stoschek Collection Berlin. Photo: Alwin Lay
The Julia Stoschek Collection Berlin presents an exhibition of works by the renowned Canadian artist Stan Douglas (*1960, Vancouver). Since the late 1980s, Stan Douglas has been creating films, photographs, and installations, as well as venturing into theater productions and other multidisciplinary projects, exploring the parameters of their respective mediums. The artist queries the past in his works, breaking through traditional narrative structures to blur fact and fiction. Stan Douglas: Splicing Block opened on 1 November 2019 and was supposed to run until 29 March 2020.
Installation View Stan Douglas: Splicing Block at Julia Stoschek Collection Berlin. Photo: Alwin Lay
Watch this 5-minutes clip from Stan Douglas’ 6-hour work Luanda-Kinshasa, 2013. The work is installed in the cinema of Julia Stoschek Collection Berlin.
Stan Douglas, Luanda-Kinshasa, 2013. Single-channel video projection, 6:01 hour (loop), color, sound. Overall dimensions vary with installation. © Stan Douglas. Courtesy the artist, Victoria Miro and David Zwirner.
Installation View Stan Douglas: Splicing Block at Julia Stoschek Collection Berlin. Photo: Alwin Lay
Stan Douglas, Luanda Kinshasa, vinyl record, soundtrack to Stan Douglas‘ „Luanda-Kinshasa“, The Vinyl Factory, 2016. Photo: Alwin Lay
Stan Douglas: Splicing Block, catalogue of the exhibition, with essays by Diedrich Diederichsen, Rachel Kushner, Paola Malavassi and a conversation between Stan Douglas and Jason Moran, Berlin 2019. Photo: Alwin Lay
Stan Douglas, Luanda-Kinshasa, 2013, one-channel video installation, 361’ (loop), color, sound, dimensions variable. Courtesy of the artist, Victoria Miro and David Zwirner. Installation view Julia Stoschek Collection Berlin. Photo: Alwin Lay
Stan Douglas, Luanda-Kinshasa, 2013, one-channel video installation, 361’ (loop), color, sound, dimensions variable. Courtesy of the artist, Victoria Miro and David Zwirner. Installation view Julia Stoschek Collection Berlin. Photo: Alwin Lay
Stan Douglas, Hors-champs, 1992, two-channel video installation, 13’20’’, b/w, sound, dimensions variable. Courtesy of the artist, Victoria Miro, and David Zwirner. Installation view Julia Stoschek Collection Berlin. Photo: Alwin Lay
Stan Douglas, Hors-champs, 1992, two-channel video installation, 13’20’’, b/w, sound, dimensions variable. Courtesy of the artist, Victoria Miro, and David Zwirner. Installation view Julia Stoschek Collection Berlin. Photo: Alwin Lay
Stan Douglas, Exodus, 1975, 2012, digital C-print mounted on aluminum, 187,7 x 265,1 cm. Courtesy of the artist and Sammlung Goetz. Installation view Julia Stoschek Collection Berlin. Photo: Alwin Lay
Stan Douglas, A Luta Continua, 1974, 2012, digital C-print mounted on aluminum, 120.7 x 181 cm. Courtesy of the artist, Victoria Miro, and David Zwirner. Installation view Julia Stoschek Collection Berlin. Photo: Alwin Lay
Stan Douglas, Two Friends, 1975, 2012, digital c-print mounted on aluminum, 106.7 x 142.2 cm. Courtesy of the artist, Victoria Miro, and David Zwirner. Installation view Julia Stoschek Collection Berlin. Photo: Alwin Lay
Stan Douglas, Checkpoint, 1975, 2012, digital C-print mounted on aluminum, 139,7 x 311,2 cm. Courtesy of the artist, Victoria Miro, and David Zwirner. Installation view Julia Stoschek Collection Berlin. Photo: Alwin Lay
Stan Douglas, Coat Check, 1974, 2012, digital C-print mounted on aluminum, 128,3 x 188,6 cm. Courtesy of the artist, Victoria Miro, and David Zwirner. Installation view Julia Stoschek Collection Berlin. Photo: Alwin Lay
Stan Douglas: Splicing Block at Julia Stoschek Collection Berlin. Photo: Alwin Lay
Stan Douglas: Splicing Block at Julia Stoschek Collection Berlin. Photo: Alwin Lay
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![(clockwise) Manyaku Mashilo, Passage to Prayer (detail), 2023. Credit: Hayden Phipps & Southern Guild Archives. Courtesy of the artist; Tatenda Chidora, Self isolation II, 2021. Ilford Gold fibre Pearl 290gsm, 102cm x 132cm. Courtesy of the artist; Anaïs Cheleux, Mas Maten, Guadeloupe, shot on digital camera, 2016. Courtesy of the artist; Glicéria Tupinambá, Manto tupinambá [Tupinambá Mantle], 2023. Courtesy of the artist. Foto: Glicéria Tupinambá; Elizabeth Catlett, African American, 2009, MUSEUM MMK FÜR MODERNE KUNST, © Elizabeth Catlett Family Trust / VG Bild-Kunst, Bonn 2023, photo: Axel Schneider.](https://contemporaryand.com/wp-content/uploads/2024/12/Bildschirmfoto-2024-12-19-um-21.08.13-320x200.png)
![(clockwise) Manyaku Mashilo, Passage to Prayer (detail), 2023. Credit: Hayden Phipps & Southern Guild Archives. Courtesy of the artist; Tatenda Chidora, Self isolation II, 2021. Ilford Gold fibre Pearl 290gsm, 102cm x 132cm. Courtesy of the artist; Anaïs Cheleux, Mas Maten, Guadeloupe, shot on digital camera, 2016. Courtesy of the artist; Glicéria Tupinambá, Manto tupinambá [Tupinambá Mantle], 2023. Courtesy of the artist. Foto: Glicéria Tupinambá; Elizabeth Catlett, African American, 2009, MUSEUM MMK FÜR MODERNE KUNST, © Elizabeth Catlett Family Trust / VG Bild-Kunst, Bonn 2023, photo: Axel Schneider.](https://contemporaryand.com/wp-content/uploads/2024/12/Bildschirmfoto-2024-12-19-um-21.08.13-480x300.png)
