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Still (the) Barbarians – EVA International

Still (the) Barbarians - EVA International - Contemporary And

19 Avril 2016

Magazine C&

2 min de lecture

The 2016 editions of EVA International – Ireland’s biennial of contemporary art, 'Still (the) Barbarians' opened on Saturday 16 April 2016.

Still (the) Barbarians is curated by Koyo Kouoh, the founding artistic director ofRAW Material Company, Dakar and the curator of1:54 Contemporary African Art Fair in London and New York and on view until 17 July.

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Abdoulaye Konaté Le Papillon Bleu, 2016 Textile 246 x 308 cm

</a> Abdoulaye Konaté, Le Papillon Bleu, 2016, Textile, 246 x 308 cm</figure>

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@Cleeve’s Condensed Milk Factory Kader Attia Reason’s Oxymorons, 2015 Six-channel video installation dimensions variable

</a> @Cleeve’s Condensed Milk Factory, Kader Attia, Reason’s Oxymorons, 2015, Six-channel video installation, dimensions variable</figure>

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Godfried Donkor Rebel Madonna Lace Collection, 2016, Installation, lace, clothes, mannequins, drawings dimensions variable

</a> Godfried Donkor, Rebel Madonna Lace Collection, 2016, Installation, lace, clothes, mannequins, drawings, dimensions variable</figure>

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Ican Ramageli Joe Ouakam, le berger, 2015 Video installation

</a> Ican Ramageli, Joe Ouakam, le berger, 2015, Video installation</figure>

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Kemang Wa Lehulere Teeth are the only bones that show, 2016 Installation dimensions variable

</a> Kemang Wa Lehulere, Teeth are the only bones that show, 2016, Installation, dimensions variable</figure>

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Journal Rappé, 2013-16 Video installation

</a> Journal Rappé, 2013-16, Video installation</figure>

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@Limerick City Gallery of Art Mary Evans Thousands Are Sailing, 2016 Installation, craft paper dimensions variable

</a> @Limerick City Gallery of Art, Mary Evans, Thousands Are Sailing, 2016, Installation, craft paper, dimensions variable</figure>

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Otobong Nkanga The weight of Scars, 2015 4 tapestries, woven textile and photography, viscose bast, mohair, polyester, bio-cotton, linen, acrylic, and inkjet print on 10 laser-cut Forex plates, each 253 x 153 cm

</a> Otobong Nkanga, The weight of Scars, 2015, 4 tapestries, woven textile and photography, viscose bast, mohair, polyester, bio-cotton, linen, acrylic, and inkjet print on 10 laser-cut Forex plates, each 253 x 153 cm</figure>

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Theo Eshetu Trip to Mount Zuqualla, 2015 Video installation, 7 min, loop

</a> Theo Eshetu, Trip to Mount Zuqualla, 2015, Video installation, 7 min, loop</figure>

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Kapwani Kiwanga A Memory Palace, 2015 Four channel sound installation, inkjet prints, furniture, floral arrangements dimensions variable

</a> Kapwani Kiwanga, A Memory Palace, 2015, Four channel sound installation, inkjet prints, furniture, floral arrangements
dimensions variable</figure>

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Syowia Kyambi Fracture (i), 2011 Mixed media performance installation, dimensions variable

Syowia Kyambi, Fracture (i), 2011, Mixed media performance installation, dimensions variable . find more about the exhibition HERE

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Syowia Kyambi: Kaspale - Contemporary And

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Igshaan Adams: Kicking Dust - Contemporary And

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Namibian Pavilion Debuts at 59th Venice Biennale - Contemporary And

Namibian Pavilion Debuts at 59th Venice Biennale

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Namibia

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Koyo Kouoh

Venice Biennale 2026 Will Follow Late Koyo Kouoh's Vision - Contemporary And

La Biennale de Venise 2026 suivra la vision de feu Koyo Kouoh

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Koyo Kouoh (1967 - 2025) - Contemporary And

Koyo Kouoh (1967 – 2025)

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Dakar

Koyo Kouoh Has Been Announced as Curator of Venice Biennale 2026 - Contemporary And

Koyo Kouoh Has Been Announced as Curator of Venice Biennale 2026

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