The 2016 editions of EVA International – Ireland’s biennial of contemporary art, 'Still (the) Barbarians' opened on Saturday 16 April 2016.
Otobong Nkanga The weight of Scars, 2015 4 tapestries, woven textile and photography, viscose bast, mohair, polyester, bio-cotton, linen, acrylic, and inkjet print on 10 laser-cut Forex plates, each 253 x 153 cm
Still (the) Barbarians is curated by Koyo Kouoh, the founding artistic director of RAW Material Company, Dakar and the curator of 1:54 Contemporary African Art Fair in London and New York and on view until 17 July.
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Abdoulaye Konaté, Le Papillon Bleu, 2016, Textile, 246 x 308 cm
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@Cleeve’s Condensed Milk Factory, Kader Attia, Reason’s Oxymorons, 2015, Six-channel video installation, dimensions variable
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Godfried Donkor, Rebel Madonna Lace Collection, 2016, Installation, lace, clothes, mannequins, drawings, dimensions variable
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Ican Ramageli, Joe Ouakam, le berger, 2015, Video installation
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Kemang Wa Lehulere, Teeth are the only bones that show, 2016, Installation, dimensions variable
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Journal Rappé, 2013-16, Video installation
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@Limerick City Gallery of Art, Mary Evans, Thousands Are Sailing, 2016, Installation, craft paper, dimensions variable
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Otobong Nkanga, The weight of Scars, 2015, 4 tapestries, woven textile and photography, viscose bast, mohair, polyester, bio-cotton, linen, acrylic, and inkjet print on 10 laser-cut Forex plates, each 253 x 153 cm
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Theo Eshetu, Trip to Mount Zuqualla, 2015, Video installation, 7 min, loop
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Kapwani Kiwanga, A Memory Palace, 2015, Four channel sound installation, inkjet prints, furniture, floral arrangements
dimensions variable
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Syowia Kyambi, Fracture (i), 2011, Mixed media performance installation, dimensions variable
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find more about the exhibition HERE
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![(clockwise) Manyaku Mashilo, Passage to Prayer (detail), 2023. Credit: Hayden Phipps & Southern Guild Archives. Courtesy of the artist; Tatenda Chidora, Self isolation II, 2021. Ilford Gold fibre Pearl 290gsm, 102cm x 132cm. Courtesy of the artist; Anaïs Cheleux, Mas Maten, Guadeloupe, shot on digital camera, 2016. Courtesy of the artist; Glicéria Tupinambá, Manto tupinambá [Tupinambá Mantle], 2023. Courtesy of the artist. Foto: Glicéria Tupinambá; Elizabeth Catlett, African American, 2009, MUSEUM MMK FÜR MODERNE KUNST, © Elizabeth Catlett Family Trust / VG Bild-Kunst, Bonn 2023, photo: Axel Schneider.](https://contemporaryand.com/wp-content/uploads/2024/12/Bildschirmfoto-2024-12-19-um-21.08.13-320x200.png)
![(clockwise) Manyaku Mashilo, Passage to Prayer (detail), 2023. Credit: Hayden Phipps & Southern Guild Archives. Courtesy of the artist; Tatenda Chidora, Self isolation II, 2021. Ilford Gold fibre Pearl 290gsm, 102cm x 132cm. Courtesy of the artist; Anaïs Cheleux, Mas Maten, Guadeloupe, shot on digital camera, 2016. Courtesy of the artist; Glicéria Tupinambá, Manto tupinambá [Tupinambá Mantle], 2023. Courtesy of the artist. Foto: Glicéria Tupinambá; Elizabeth Catlett, African American, 2009, MUSEUM MMK FÜR MODERNE KUNST, © Elizabeth Catlett Family Trust / VG Bild-Kunst, Bonn 2023, photo: Axel Schneider.](https://contemporaryand.com/wp-content/uploads/2024/12/Bildschirmfoto-2024-12-19-um-21.08.13-480x300.png)
