The Athens Biennale announced its seventh edition, to be co-curated by Omsk Social Club and Larry Ossei-Mensah under the artistic direction of Poka-Yio. The exhibition will feature artists based in North and South America, the Caribbean, Africa, and Europe, many of whom will be exhibiting in Greece for the first time. The list of participating artists will be announced in the summer of 2020.

The exhibition title highlights the obscured perspective of reality caused by the constant state of flux we are experiencing in our society now. ECLIPSE engages the social, political and spiritual changes of today’s global construct and in Athens itself, as a rising metropolis located at the intersection of Europe, Asia and Africa both physically and historically. An eclipse is a phenomenon of filtering and shrouding as well as a cosmic event. The experience of the eclipse functions as a catalyst for reprocessing an unresolved past that can inform an unspoken present and ultimately shape our future. Thus, Athens serves as the appropriate vantage point for contemplating the nuances of time and space. Furthermore, examining the questions is the west in decline or in a moment of significant transformation?

ECLIPSE seeks to assess the implications of identity, history, and cultural complexity.  The 7^th Athens Biennale offers an arena to interrogate many of the ideas, queries, concerns, and desires that are frequently not platformed within a Biennial format. In an effort to activate a dynamic cross-cultural discourse, ECLIPSE will highlight the works of artists from the African Diaspora in addition to other artistic voices that have historically been pushed to the periphery. This engagement will be articulated through the use of a “Black Lens” as one of the frameworks. This approach seeks to engage the varying perspectives and artistic practices percolating within the African diaspora. This dialogue will be situated alongside a complimentary framework of artistic interventions that use dynamic manifestations to compose unique practical narratives. Their aim is to strategically address the viewers imagination of potential parallel worlds and futures. Composing a set of spaces that platform ideas such as radical care, interspecies friendship and sonic viewing strategies, ECLIPSE presents a translocal chapter of contemporary thought on how to co-exist within a world differently.

Defying the prevalent politics of historical narratives, ECLIPSE proposes to challenge oppressive mechanisms and outdated idealism. By deploying various immersive techniques such as real game play, radical gossip, persuasive realities, “emotional hypnosis”, bodying, synthesis, and visualization, ECLIPSE activates narrative fabrication and orchestrates an experiential shift in art viewing opening an alternative future for contemplation.

Ossei-Mensah says « ECLIPSE provides an opportune platform for a robust and critical cross-cultural dialogue that questions assumptions, explores new possibilities and stimulates the imagination. I could think of no better place to have this important conversation than in Athens”. 

Poka-Yio lives and works in Athens. He is a visual artist and curator, associate professor at the Athens School of Fine Arts, founding director of the Athens Biennale, and head of Onassis Foundation’s Visual Culture. He is the co-founder of Alpha Station, Center for Contemporary Art in Athens. His practice includes painting, performances, theatre, short films and the artistic direction and curation of large-scale art projects that are designed as gesamtkunstwerk. His main focus is the dipole Attraction-Aversion at the age of a “culture of desire”.

Larry Ossei-Mensah uses contemporary art as a vehicle to redefine how we see ourselves and the world around us. The Ghanaian-American curator and cultural critic has organized exhibitions and programs at commercial and nonprofit spaces around the globe from New York City to Rome featuring such artists as Firelei Baez, Allison Janae Hamilton, Brendan Fernades, Ebony G. Patterson, Glenn Kaino and Stanley Whitney to name a few. Moreover, Ossei-Mensah has actively documented cultural happenings featuring the most dynamic visual artists working today such as Derrick Adams, Mickalene Thomas, Njideka Akunyili Crosby, Federico Solmi, and Kehinde Wiley. Ossei-Mensah has had recent profiles in such publications like The New York Times, Artsy, and Cultured Magazine, which recently named him one of seven curators to watch in 2019. www.larryosseimensah.com

Omsk Social Club forks traditional methods of Live Action Role Play (Larp) through immersive installations and into Real Game Play (RGP) to induce states that could potentially be a fiction or a yet, unlived reality. Omsk works closely with networks of viewers, everything is unique and unrehearsed. The live installations they create examine virtual egos, popular experiences and political phenomena. Allowing the works to become a dematerialized hybrid of modern-day culture alongside the participant’s unique personal experiences. In the past Omsk Social Club’s Real Game Play immersive environments have introduced landscapes and topics such as rave culture, survivalism, catfishing, desire & sacrifice, positive trolling, algorithmic strategies and decentralized cryptocurrency. They have exhibited across Europe in various institutions, galleries, theatres and off-sites such as Martin Gropius Bau, House of Electronic Kunst Basel, Migros Museum für Gegenwartskunst, Zürich, HKW, Berlin, CCCB, Barcelona, Volksbühne, Berlin and Stems Gallery, Brussels. They have been included in 6^th Athens Biennale ANTI (2018), Transmediale Festival (2019), The Influencers (2018) and Impakt Festival (2018). www.punkisdada.com