Les Rencontres de Bamako rendent hommage aux espaces de l’entre-deux et réfléchissent sur les multiplicités de l'être - jusqu'au 8 février 2023.
Intitulée “Maa ka Maaya ka ca a yere kono — Sur la multiplicité, la différence, le devenir et l’héritage”, cette édition est une invitation à réfléchir collectivement à ces multiplicités d’être et de différences, à dépasser la notion d’être unique et à embrasser des identités composées, stratifiées et fragmentées, ainsi que des compréhensions multiples, complexes et non-linéaires de l’espace et du temps.
Conçue en collaboration entre l’équipe de commissaires – Akinbode Akinbiyi (artiste et commissaire indépendant), Meriem Berrada (Directrice Artistique, MACAAL, Marrakech), Tandazani Dhlakama (Commissaire Adjointe, Zeitz MOCAA, Cape Town), et Liz Ikiriko (artiste et Commissaire des Collections et Chargée de Médiation à la galerie d’art de l’université York, Toronto) et le Directeur Artistique Bonaventure Soh Bejeng Ndikung – cette édition de la Biennale sera de nouveau un lieu privilégié de rencontres d’artistes du monde africain.
Installation shot at Memorial Modibo Keita, From the left, works by Fatoumata Diabaté, Muhammad Salah, Annie-Marie Akussah and Nene Aïssatou Diallo. Photo by Annie-Marie Akussah
Installation shot at Memorial Modibo Keita, From the left, works by Muhammad Salah, Sofia Yala and Annie-Marie Akussah. Photo by Annie-Marie Akussah
Installation shot at Memorial Modibo Keita, From the left, works by Adee Roberson and Fatoumata Diabaté. Photo by Annie-Marie Akussah
Installation shot at Memorial Modibo Keita, From the left, works by Sofia Yala, Adee Roberson, and Fatoumata Diabaté. Photo by Annie-Marie Akussah
Installation shot at Memorial Modibo Keita, From the left, works by Annie-Marie Akussah, Sofia Yala, Adee Roberson and Sofia Yala. Photo by Annie-Marie Akussah
Installation shot at Memorial Modibo Keita, from the left, work by Muhammad Salah, Annie-Marie Akussah and Muhammad Salah.Photo by Annie-Marie Akussah
Installation shot, from the left, work by Sofia Yala and Annie-Marie Akussah. Photo by Annie-Marie Akussah
Installation shot. From the left, works by Luvuyo Equiano Nyawose, Annie-Marie Akussah and Luvuyo Equiano Nyawose. Photo by Annie-Marie Akussah
Installation shot at the District Museum. Works by from the left, Americo Hunguana, Saïd Afifi, Uiler Costa-Santos and Americo Hunguana. Photo by Annie-Marie Akussah
Installation shot at the District Museum. Bahia, 2020, Inkjet colour prints by Uiler Costa-Santos. Photo by Annie-Marie Akussah
Installation shot at the District Museum. Erfoud, Maro 1983 and other works by Daoud Aoulad-Syad. Photo by Annie-Marie Akussah
Installation shot of On the road to Cuito Cuanavale III, 2019, Jo Ractliffe. Photo by Annie-Marie Akussah
Installation shot of These Places That Live (With)in Us, 2022 by Mallory Lowe Mpoka. Photo by Annie-Marie Akussah
Installation shot of Untitled Series, 2021, Inkjet Colour Prints by Botembe Moseka Maite. Photo by Annie-Marie Akussah
Installation shot of Yemaya series, 2018-2021, Inkjet colour prints by Saïd Afifi. Photo by Annie-Marie Akussah
Installation shot at House of African Photography, works by Daoud Aoulad-Syad. Photo by Annie-Marie Akussah
Installation shot at House of African Photography, Héritière, 2021, Inkjet colour photographic print by Myriam Omar Awadi. Photo by Annie-Marie Akussah
INSTALLATION VIEWS
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![(clockwise) Manyaku Mashilo, Passage to Prayer (detail), 2023. Credit: Hayden Phipps & Southern Guild Archives. Courtesy of the artist; Tatenda Chidora, Self isolation II, 2021. Ilford Gold fibre Pearl 290gsm, 102cm x 132cm. Courtesy of the artist; Anaïs Cheleux, Mas Maten, Guadeloupe, shot on digital camera, 2016. Courtesy of the artist; Glicéria Tupinambá, Manto tupinambá [Tupinambá Mantle], 2023. Courtesy of the artist. Foto: Glicéria Tupinambá; Elizabeth Catlett, African American, 2009, MUSEUM MMK FÜR MODERNE KUNST, © Elizabeth Catlett Family Trust / VG Bild-Kunst, Bonn 2023, photo: Axel Schneider.](https://contemporaryand.com/wp-content/uploads/2024/12/Bildschirmfoto-2024-12-19-um-21.08.13-320x200.png)
![(clockwise) Manyaku Mashilo, Passage to Prayer (detail), 2023. Credit: Hayden Phipps & Southern Guild Archives. Courtesy of the artist; Tatenda Chidora, Self isolation II, 2021. Ilford Gold fibre Pearl 290gsm, 102cm x 132cm. Courtesy of the artist; Anaïs Cheleux, Mas Maten, Guadeloupe, shot on digital camera, 2016. Courtesy of the artist; Glicéria Tupinambá, Manto tupinambá [Tupinambá Mantle], 2023. Courtesy of the artist. Foto: Glicéria Tupinambá; Elizabeth Catlett, African American, 2009, MUSEUM MMK FÜR MODERNE KUNST, © Elizabeth Catlett Family Trust / VG Bild-Kunst, Bonn 2023, photo: Axel Schneider.](https://contemporaryand.com/wp-content/uploads/2024/12/Bildschirmfoto-2024-12-19-um-21.08.13-480x300.png)
