With its political profile, the current edition of the Berlin Biennale takes place from June 11 to September 18, 2022, and is curated by Kader Attia.
Temitayo Ogunbiyi, You will order taxonomies according to your day, 2021-2022. Installation View at 12th Berlin Biennale, Akademie der Künste, Hanseatenweg. Photo: C&
Temitayo Ogunbiyi, You will order taxonomies according to your day, 2021-2022. Installation View at 12th Berlin Biennale, Akademie der Künste, Hanseatenweg. Photo: C&
Temitayo Ogunbiyi, You will order taxonomies according to your day, 2021-2022. Installation View at 12th Berlin Biennale, Akademie der Künste, Hanseatenweg. Photo: C&
Temitayo Ogunbiyi, You will order taxonomies according to your day, 2021-2022. Installation View at 12th Berlin Biennale, Akademie der Künste, Hanseatenweg. Photo: C&
Sammy Baloji,…and to those North Sea waves whispering sunken stories (II), 2021. Installation View at 12th Berlin Biennale, Akademie der Künste, Hanseatenweg. Photo: C&
Sammy Baloji,…and to those North Sea waves whispering sunken stories (II), 2021. Installation View at 12th Berlin Biennale, Akademie der Künste, Hanseatenweg. Photo: C&
Imani Jacqueline Brown, What remains at the Ends of the Earth?, 2022. Installation View at 12th Berlin Biennale, Akademie der Künste, Hanseatenweg. Photo: C&
Imani Jacqueline Brown, What remains at the Ends of the Earth?, 2022. Installation View at 12th Berlin Biennale, Akademie der Künste, Hanseatenweg. Photo: C&
Ammar Bouras, « 24°3’55 »N 5°3’23 »E #7″, 2016. Installation View at 12th Berlin Biennale, Akademie der Künste, Hanseatenweg. Photo: C&
Ammar Bouras, « 24°3’55 »N 5°3’23 »E #7″, 2016. Installation View at 12th Berlin Biennale, Akademie der Künste, Hanseatenweg. Photo: C&
Ammar Bouras, « 24°3’55 »N 5°3’23 »E #7″, 2016. Installation View at 12th Berlin Biennale, Akademie der Künste, Hanseatenweg. Photo: C&
Ammar Bouras, « 24°3’55 »N 5°3’23 »E #7″, 2016. Installation View at 12th Berlin Biennale, Akademie der Künste, Hanseatenweg. Photo: C&
Ammar Bouras, « 24°3’55 »N 5°3’23 »E #7″, 2016. Installation View at 12th Berlin Biennale, Akademie der Künste, Hanseatenweg. Photo: C&
Calida Garcia Rawles, New Day Coming, 2020. Installation View at 12th Berlin Biennale, Akademie der Künste, Hanseatenweg. Photo: C&
The School of the Mutants (Boris Raux, Hamedine Kane, Lou Mo, Stéphane Verlet Bottéro, Valérie Osouf), 2020. Installation View at 12th Berlin Biennale, Akademie der Künste, Pariser Platz. Photo: C&
The School of the Mutants (Boris Raux, Hamedine Kane, Lou Mo, Stéphane Verlet Bottéro, Valérie Osouf), 2020. Installation View at 12th Berlin Biennale, Akademie der Künste, Pariser Platz. Photo: C&
The School of the Mutants (Boris Raux, Hamedine Kane, Lou Mo, Stéphane Verlet Bottéro, Valérie Osouf), 2020. Installation View at 12th Berlin Biennale, Akademie der Künste, Pariser Platz. Photo: C&
Mónica de Miranda, Pain to the Stars, 2022. Installation View at 12th Berlin Biennale, KW Institute for Contemporary Art. Photo: C&
Etinosa Yvonne, From the project « Its all in my head », 2019-20. Installation View at 12th Berlin Biennale, KW Institute for Contemporary Art. Photo: C&
Etinosa Yvonne, From the project « Its all in my head », 2019-20. Installation View at 12th Berlin Biennale, KW Institute for Contemporary Art. Photo: C&
Etinosa Yvonne, From the project « Its all in my head », 2019-20. Installation View at 12th Berlin Biennale, KW Institute for Contemporary Art. Photo: C&
Etinosa Yvonne, From the project « Its all in my head », 2019-20. Installation View at 12th Berlin Biennale, KW Institute for Contemporary Art. Photo: C&
Binta Diaw, Dïàspora, 2022. Installation View at 12th Berlin Biennale, KW Institute for Contemporary Art. Photo: C&
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![(clockwise) Manyaku Mashilo, Passage to Prayer (detail), 2023. Credit: Hayden Phipps & Southern Guild Archives. Courtesy of the artist; Tatenda Chidora, Self isolation II, 2021. Ilford Gold fibre Pearl 290gsm, 102cm x 132cm. Courtesy of the artist; Anaïs Cheleux, Mas Maten, Guadeloupe, shot on digital camera, 2016. Courtesy of the artist; Glicéria Tupinambá, Manto tupinambá [Tupinambá Mantle], 2023. Courtesy of the artist. Foto: Glicéria Tupinambá; Elizabeth Catlett, African American, 2009, MUSEUM MMK FÜR MODERNE KUNST, © Elizabeth Catlett Family Trust / VG Bild-Kunst, Bonn 2023, photo: Axel Schneider.](https://contemporaryand.com/wp-content/uploads/2024/12/Bildschirmfoto-2024-12-19-um-21.08.13-320x200.png)
![(clockwise) Manyaku Mashilo, Passage to Prayer (detail), 2023. Credit: Hayden Phipps & Southern Guild Archives. Courtesy of the artist; Tatenda Chidora, Self isolation II, 2021. Ilford Gold fibre Pearl 290gsm, 102cm x 132cm. Courtesy of the artist; Anaïs Cheleux, Mas Maten, Guadeloupe, shot on digital camera, 2016. Courtesy of the artist; Glicéria Tupinambá, Manto tupinambá [Tupinambá Mantle], 2023. Courtesy of the artist. Foto: Glicéria Tupinambá; Elizabeth Catlett, African American, 2009, MUSEUM MMK FÜR MODERNE KUNST, © Elizabeth Catlett Family Trust / VG Bild-Kunst, Bonn 2023, photo: Axel Schneider.](https://contemporaryand.com/wp-content/uploads/2024/12/Bildschirmfoto-2024-12-19-um-21.08.13-480x300.png)
