Biennales are part of a global network that produces and disseminates contemporary art, as well as a platform for grappling with such issues as politics, race, identity, globalization, and postcolonialism.

Since 1985, various African constituencies have organized biennales as a means to participate in the world dialogue on contemporary art and to nourish local imaginaries. The present symposium takes the 4th Biennale in Lubumbashi (Congo-Kinshasa) as a point of departure to explore “biennale cultures” from the original perspective of a group of artists who have developed an alternative platform to engage and re-author their post-colonial history. Why have biennales found so much more traction in the French-speaking countries? And what is their impact on global artistic practice? As Terry Smith asks, “Who gets to say what counts as contemporary art?”

2:00 Welcome

2:10 Toma Muteba Luntumbue (Artist / Artistic director, 4th edition of the Biennale Lubumbashi) in conversation with Sandrine Colard (Columbia

University)

3:00 Ugochukwu-Smooth C. Nzewi (Co-Curator, 11th edition of Dak’Art Biennale; Curator of African Art, Hood Museum of Art, Dartmouth College)

« Dak’Art Biennale’s Cultural Pan-Africanism and Neoliberal Globalism.”

3:30 Maureen Murphy (University of Paris 1 Panthéon-Sorbonne)

« Inventing the world, the second Benin Biennial, 2012 ».

4:00 Coffee Break

4:30 Z. S. Strother (Riggio Professor of African Art, Columbia University)

“Soft Power: The French Politics of Contemporary African Art”

5:00 Kendell Geers (Artist / Advisory Committee Johannesburg Biennials)

5:30 Chika Okeke-Agulu (Princeton University) will lead a broader discussion on

the nature and significance of “biennale cultures” in Africa.

6:15 Reception

This event is co-sponsored by Labex CAP, Alliance Program, Department of Art History and Archaeology, Columbia University, FACE-Partner University Fund, Department of Art History, Barnard College.

ias.columbia.edu/