Critique

Of Fabrics and Memories

Art Making in Ghana

Of Fabrics and Memories

A new art space in Accra launches and Serge Attukwei Clottey opens his…

Art Getting Physical

A Revolutionary Act

Art Getting Physical

Our author Taylor Renee Aldridge takes a closer look at Jelili Atiku's social…

Cultural politics is like naan bread

Conclusions from the Symposium inExchange

Cultural politics is like naan bread

What is there to do when it comes to international cultural policy and…

The Stories Between Us

Critical Translations

The Stories Between Us

Rachel Marsden reflects on the symposium The Work Between Us exploring Black British…

Hacking Conflict: Nigeria at Biennale Jogja XIII

Indonesia meets Nigeria

Hacking Conflict: Nigeria at Biennale Jogja XIII

A review of the Biennale Jogja XIII

Addis Video Art Festival Docu

AVAF shares clip

Addis Video Art Festival Docu

A short documentation by AVAF on their inaugural Addis Video Art Festival which…

Telling and Retelling

10th Bamako Biennale

Telling and Retelling

Neelika Jayawardane, Africa is a Country Culture and Arts Editor, visited Bamako for…

What is Home?

Paysage urbain & art

What is Home?

Gauthier Lesturgie regarde de plus prés l'exposition « STADT/BILD.Xenopolis » qui met l'accent…

Remixage de l’Afrique, une nouvelle fois

Hommage : Djilatendo

Remixage de l’Afrique, une nouvelle fois

Le peintre congolais Djilatendo, qui exposa pour la première fois à Bruxelles en…

“So, where are you from?”

Broken, But Not Broke

“So, where are you from?”

A review on the exhibition Broken English at Tyburn Gallery, London (English only)

Complicating Pan-Africanism 

A Collaborative Spirit

Complicating Pan-Africanism 

Chimurenga doesn’t just think Africa, it also “does” Africa, finds Liese Van der Watt.

Une revue du familier et de l’inconnu

Beauté Congo à Paris

Une revue du familier et de l’inconnu

Une exposition estivale passe en revue à Paris le très vivace esprit créatif…