Opinion

Meschac Gaba, Citoyen du Monde, 2012. Courtesy Meschac Gaba, Stevenson, Cape Town/Johannesburg, Tanya Bonakdar Gallery, New York, Lumen Travo Gallery, Amsterdam, Galerie In Situ, Paris © Meschac Gaba

Covid19-Comment

WE ARE ALL IN THIS TOGETHER NOW

C& is in solidarity with all the artists, independent curators, writers, other cultural…

Guy Wouete, 'Next Week', Multimedia-Installation, 2010. © Guy Wouete

States of Mobility

“The passport that does not pass ports”

Mobility in the arts, geographical or otherwise, is often seen as almost a…

Santu Mofokeng, A Roadside Sign in Tshwane, Marabastad / Hammanskraal, 2008. From Billboard series (1991-2009).

Santu Mofokeng (1956-2020)

In Complicity with a Great Documenter

In 2019 young South African curator Thato Mogotsi had been invited by the…

Photographer: Henry Chan - Location: Dinner between Rashid Johnson's Anxious Audiences at the Power Plant Gallery - 2019

Black Curators Forum Toronto

Un·e curateur·rice Noir·e n’est jamais qu’un·e simple curateur·rice

Le premier Black Curators Forum a eu lieu à Toronto, au Canada, vers…

Mauro Vombe, Passengers, 2017. Photo: C&

12e édition des Rencontres de Bamako

Une manifestation de solidarité africaine

Avec Bonaventure Soh Bejeng Ndikung à sa tête, secondé par une équipe de…

El Anatsui's project for the exhibition Who Knows Tomorrow, a monumental metal cloth installed on the façade of Berlin's Alte Nationalgalerie, 2010.

Looking Back

A Short History of the 2010s in Art

The 2010s not only saw the rise of new and urgent social movements…

Mario Moore, Detroit’s Crisis 313-873-6170, 2010. Oil on canvas, 84 x 66 cm. Courtesy of the artist and the Jiménez-Colón Collection.

C& Special Edition #Detroit

How To Give Space

Olivia Gilmore on moving beyond “allyship”.

Peter Friedl, Untitled (Berlin), 1998/1999. Adhesive film on plexiglass / light box. Loan of the Federal Republic ofGermany – Contemporary Art Collection. Photo: Benjamin Renter

C& Print Issue Another 89

What Collective Remembrance Is For

Anniversaries are a chance not only to remember but to reevaluate history, writes…

Maggie Laubser, Born 1886, Malmesbury, Western Cape. Died 1973, Strand, Western Cape, Original title: Wasmeidjie on farm Oordmanspos, Changed to: Washerwoman on a farm in Oortmanspoort, Oil on board1925

Debate

How do we (not) Speak About Art and Violence?

On October 1st 2019 SWEAT (Sex Workers Education & Advocacy Taskforce) publicly called for…

Covers from books

Art and Stereotypes

Playing with Race

We are still stumbling across curated incredibilities taking place in museums and art…

Installation view of a exhibition at the new Museum of Black Civilizations in Dakar, Senegal. Photo: Maya Varichon

Museum for Black Civilisation Dakar

Restitution Alone is Not the Answer

Looking at the histories and contemporary cultures of Black people in a global…

François Knoetze: Core Dump, Dakar featuring Bamba Diangne, Film still: Anton Scholtz, 2018 © Courtesy François Knoetze , Film still: Anton Stoltz

Les arts numériques d'Afrique

Donner corps à des formes de savoir et d’être

Notre auteur Enos Nyamor se penche sur les arts numériques en Afrique et…