Opinion

70 artists,

La Biennale di Venezia

En quoi le modèle de la Biennale de Venise est obsolète

Avec le modèle du pavillon national, la Biennale de Venise fait passer le provincialisme pour de la mondialité.

What Are the Stakes of Representing Art from Africa in Dubai?

Opening of Efiɛ Gallery

What Are the Stakes of Representing Art from Africa in Dubai?

As the first African-owned art gallery in the UAE, Efiɛ may have to interrogate existing cultural legacies in the region, writes Nantume Violet.

Yali Romagoza, Monument to the Great Living Artist, 2018. Courtesy the artist.

A Latin American Universe

What Is “Latinx”?

Aldeide Delgado looks for C&AL into the implications and opportunities of the term “Latinx”.

La Saison Africa2020 peut-elle mettre le discours français au diapason du XXIe siècle ?

Saison Africa2020

La Saison Africa2020 peut-elle mettre le discours français au diapason du XXIe siècle ?

Au Palais de la Porte Dorée, une exposition collective sous la direction de…

Jamal Boushaba. Photo: Wéerari, Casablanca, April, 2016.

In Memoriam

Jamal Boushaba, the Bel Ami (1965–2021)

Jamal Boushaba – writer, cultural journalist, publisher, curator, and all-round romantic character from…

Alisha B. Wormsley, There Are Black People in the Future. Part of Manifest Destiny, curated by Ingrid LaFleur. Image by Alessandra Ferrara, Courtesy of Library Street Collective, Detroit.

Black (Art) History Month

Looking at The Intersection of Time

While questions around time are currently occupying many, we rummaged through our archives…

Laura Nsengiyumva, Peopl, 2018. Installation view at Nuit Blanche BXL 2018. The immense ice sculpture was meant to melt throughout this event to reflect on the slowly but gradually mental decolonisation process.

No Justice No Peace

WE ARE.

In this current moment, which ferociously amplifies the uncertainty, pain, and disruption caused…

Thenjiwe Niki Nkosi, Team (Detail), 2020. Oil on canvas 150 x 150cm © Thenjiwe Niki Nkosi. Courtesy of Stevenson, Cape Town and Johannesburg. Photo: Nina Lieska

Virtual Dialoguing and Soliloquizing

Intimacy and Exposure in an Age of Lockdown

Covid-19 has undoubtedly already changed everyone’s lives. What the future holds, no one…

Meschac Gaba, Citoyen du Monde, 2012. Courtesy Meschac Gaba, Stevenson, Cape Town/Johannesburg, Tanya Bonakdar Gallery, New York, Lumen Travo Gallery, Amsterdam, Galerie In Situ, Paris © Meschac Gaba

Covid19-Comment

WE ARE ALL IN THIS TOGETHER NOW

C& is in solidarity with all the artists, independent curators, writers, other cultural…

Guy Wouete, 'Next Week', Multimedia-Installation, 2010. © Guy Wouete

States of Mobility

“The passport that does not pass ports”

Mobility in the arts, geographical or otherwise, is often seen as almost a…

Santu Mofokeng, A Roadside Sign in Tshwane, Marabastad / Hammanskraal, 2008. From Billboard series (1991-2009).

Santu Mofokeng (1956-2020)

In Complicity with a Great Documenter

In 2019 young South African curator Thato Mogotsi had been invited by the…

Photographer: Henry Chan - Location: Dinner between Rashid Johnson's Anxious Audiences at the Power Plant Gallery - 2019

Black Curators Forum Toronto

Un·e curateur·rice Noir·e n’est jamais qu’un·e simple curateur·rice

Le premier Black Curators Forum a eu lieu à Toronto, au Canada, vers…