Opinion

Picha ASBL. Preparations for the 7th Lubumbashi Biennale. Courtesy of Nicolas, Photographer of the Biennale.

Biennale de Lubumbashi

Un regard sur le monde postcolonial à la 7e Biennale de Lubumbashi

À la veille de la Biennale, Gloria Mpanga porte un regard critique sur sa pertinence, son histoire et son concept curatorial.

Acaye Kerunen. Installation view of the Uganda Pavilion at the 59th Venice Biennale. Photo: C&

59th Venice Biennale

What a Uganda Pavilion in Venice Means to Ugandans

It has received a special mention for its inaugural pavilion in Venice, yet Uganda’s global art venture has just begun, writes author Gloria Kiconco.

70 artists,

La Biennale di Venezia

En quoi le modèle de la Biennale de Venise est obsolète

Avec le modèle du pavillon national, la Biennale de Venise fait passer le provincialisme pour de la mondialité.

What Are the Stakes of Representing Art from Africa in Dubai?

Opening of Efiɛ Gallery

What Are the Stakes of Representing Art from Africa in Dubai?

As the first African-owned art gallery in the UAE, Efiɛ may have to interrogate existing cultural legacies in the region, writes Nantume Violet.

Yali Romagoza, Monument to the Great Living Artist, 2018. Courtesy the artist.

A Latin American Universe

What Is “Latinx”?

Aldeide Delgado looks for C&AL into the implications and opportunities of the term “Latinx”.

La Saison Africa2020 peut-elle mettre le discours français au diapason du XXIe siècle ?

Saison Africa2020

La Saison Africa2020 peut-elle mettre le discours français au diapason du XXIe siècle ?

Au Palais de la Porte Dorée, une exposition collective sous la direction de…

Jamal Boushaba. Photo: Wéerari, Casablanca, April, 2016.

In Memoriam

Jamal Boushaba, the Bel Ami (1965–2021)

Jamal Boushaba – writer, cultural journalist, publisher, curator, and all-round romantic character from…

Alisha B. Wormsley, There Are Black People in the Future. Part of Manifest Destiny, curated by Ingrid LaFleur. Image by Alessandra Ferrara, Courtesy of Library Street Collective, Detroit.

Black (Art) History Month

Looking at The Intersection of Time

While questions around time are currently occupying many, we rummaged through our archives…

Laura Nsengiyumva, Peopl, 2018. Installation view at Nuit Blanche BXL 2018. The immense ice sculpture was meant to melt throughout this event to reflect on the slowly but gradually mental decolonisation process.

No Justice No Peace

WE ARE.

In this current moment, which ferociously amplifies the uncertainty, pain, and disruption caused…

Thenjiwe Niki Nkosi, Team (Detail), 2020. Oil on canvas 150 x 150cm © Thenjiwe Niki Nkosi. Courtesy of Stevenson, Cape Town and Johannesburg. Photo: Nina Lieska

Virtual Dialoguing and Soliloquizing

Intimacy and Exposure in an Age of Lockdown

Covid-19 has undoubtedly already changed everyone’s lives. What the future holds, no one…

Meschac Gaba, Citoyen du Monde, 2012. Courtesy Meschac Gaba, Stevenson, Cape Town/Johannesburg, Tanya Bonakdar Gallery, New York, Lumen Travo Gallery, Amsterdam, Galerie In Situ, Paris © Meschac Gaba

Covid19-Comment

WE ARE ALL IN THIS TOGETHER NOW

C& is in solidarity with all the artists, independent curators, writers, other cultural…

Guy Wouete, 'Next Week', Multimedia-Installation, 2010. © Guy Wouete

States of Mobility

“The passport that does not pass ports”

Mobility in the arts, geographical or otherwise, is often seen as almost a…