Interview

Nikita Gale, ECHO I and ECHO II, 2018, acoustic foam, cement, approx. 5.5 x 8 x 1.25 in and 7.25 x 6 x 1.25 in. Courtesy the artist and Commonwealth and Council. Photo: Ruben Diaz.

In Conversation with Nikita Gale

Experiencing Anonymity Through Abstraction

Sound is an intimate medium to California based artist Nikita Gale. In her…

Claude Gomis, Solidarity with Sékou Touré, 2016. Photo. Courtesy of the artist

Racism: a bigger picture

Using the Language of the Past to Reflect on Racism Today

The unfading legacies of Western racism is a paradigm Contemporary And continuously examines…

kate-hers RHEE, And then there were none. ©2013, performance HD video and C-Print photography, courtesy of the artist

Racism: a bigger picture

The Black, Asian and White Racial Triangulation

The unfading legacies of Western racism is a paradigm Contemporary And continuously examines…

Installation view of Ruins Decorated by Yinka Shonibare MBE at Goodman Gallery Johannesburg, 2018. Courtesy Goodman Gallery.

In Conversation with Yinka Shonibare MBE

Metaphors for Humanity

It’s his first solo exhibition on the continent in fifteen years: This month…

Meleko Mokgosi, Democratic Intuition Lerato Philia I, 2016 © Meleko Mokgosi. Courtesy of the artist and Jack Shainman Gallery, New York.

Round Table "identity"

Meleko Mokgosi: “the limitations that produce narrow interests are not caused by the artist”

In our ongoing series of round-table discussions we ask a selection of artists…

Christophe Ndabananiye,

Christophe Ndabananiye

Searching for Mental Topographies

The Villa Romana in Florence is opening its space and this year’s winners…

(both images) Francis X. Nnaggenda, without title. Collection and Image courtesy: Weltkulturen Museum

In Conversation with Francis Nnaggenda II

Art Crossroads with Ugandan Mastery 

By expediently excluding Ugandan masters from a rich East African heritage, the 2018…

Francis Nnaggenda, Title and Year unknown, from private collection Rose Rohrer.

In Conversation with Francis Nnaggenda I

A Lifetime Shaping Art and Education in Uganda

Prof. Francis Nnaggenda is a legendary art educator, sculptor, and painter whose artworks…

Exhibition view Connecting the Dots at Temple Muse, Lagos, 2018. Courtesy SMO Contemporary Art

In Conversation with Olumide Onadipe

Giving Social Commentary a Visual Voice

Olumide Onadipe’s art stems from an anger at the way things are. So…

Black Lunch Table. Photo by Angela Hennessy

Black Lunch Table

Using the Lunchroom to Connect Black Arts Professionals

Starting from the phenomenon of self-segregation during lunchtime in schools and workplaces, Black…

Kelvin Haizel, things and nothings, 2017. Installation view at the 11th Bamako Biennial. Courtesy the artist.

C& Print Issue #9: Round Table

Kelvin Haizel: “The question points to the overburdened subject every artist from the Global South has had to grapple with in the last thirty years.”

In our ongoing series of round-table discussions we ask a selection of artists…

Paa Joe and Elisabeth Efua Sutherland, Akԑ yaaa heko // One does not take it anywhere, opening. Courtesy Gallery 1957, Accra. Photo Nii Odzenma

C& Print Issue #9: Round Table

Elisabeth Efua Sutherland: « It’s about the power of the narrative. People ask you, ‘Who are you?’ »

In our ongoing series of round-table discussions we ask a selection of artists…

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