Interview

Meleko Mokgosi, Democratic Intuition Lerato Philia I, 2016 © Meleko Mokgosi. Courtesy of the artist and Jack Shainman Gallery, New York.

Round Table "identity"

Meleko Mokgosi: “the limitations that produce narrow interests are not caused by the artist”

In our ongoing series of round-table discussions we ask a selection of artists…

Exhibition view: Christophe Ndabananiye,

Christophe Ndabananiye

Searching for Mental Topographies

The Villa Romana in Florence is opening its space and this year’s winners…

(both images) Francis X. Nnaggenda, without title. Collection and Image courtesy: Weltkulturen Museum

In Conversation with Francis Nnaggenda II

Art Crossroads with Ugandan Mastery 

By expediently excluding Ugandan masters from a rich East African heritage, the 2018…

Francis Nnaggenda, Title and Year unknown, from private collection Rose Rohrer.

In Conversation with Francis Nnaggenda I

A Lifetime Shaping Art and Education in Uganda

Prof. Francis Nnaggenda is a legendary art educator, sculptor, and painter whose artworks…

Exhibition view Connecting the Dots at Temple Muse, Lagos, 2018. Courtesy SMO Contemporary Art

In Conversation with Olumide Onadipe

Giving Social Commentary a Visual Voice

Olumide Onadipe’s art stems from an anger at the way things are. So…

Black Lunch Table. Photo by Angela Hennessy

Black Lunch Table

Using the Lunchroom to Connect Black Arts Professionals

Starting from the phenomenon of self-segregation during lunchtime in schools and workplaces, Black…

Kelvin Haizel, things and nothings, 2017. Installation view at the 11th Bamako Biennial. Courtesy the artist.

C& Print Issue #9: Round Table

Kelvin Haizel: “The question points to the overburdened subject every artist from the Global South has had to grapple with in the last thirty years.”

In our ongoing series of round-table discussions we ask a selection of artists…

Paa Joe and Elisabeth Efua Sutherland, Akԑ yaaa heko // One does not take it anywhere, opening. Courtesy Gallery 1957, Accra. Photo Nii Odzenma

C& Print Issue #9: Round Table

Elisabeth Efua Sutherland: « It’s about the power of the narrative. People ask you, ‘Who are you?’ »

In our ongoing series of round-table discussions we ask a selection of artists…

Thierry Oussou, Before It Is Completely Gone , 2018. Installation view. Courtesy the artist and Stevenson, Cape Town and Johannesburg 

10th Berlin Biennale Special

Des méthodes archéologiques à l’art contemporain

Interviewé par Julie Abricot de C&, Thierry Oussou nous explique pourquoi son travail…

Las Nietas de Nonó, Ilustraciones de la Mecánica, 2016–18, mixed media; performances; documentation of the performance from 08.06.18, 10. Berlin Biennale, Volksbühne Pavillon, Berlin, courtesy Las Nietas de Nonó, photo: Timo Ohler

10th Berlin Biennale

Las Nietas de Nonó: “We Need to Heal the Wounds”

The Puerto Rican sisters and artists Lydela and Michel Nonó present their performances…

Johanna Unzueta, Mural Sink (Detail), 2018. Felt and thread , 300 x 200 x 35 cm. Courtesy the artist and 57w57Arts Gallery, NY

10th Berlin Biennale Special

Where Industrial Buildings Come In Pocket Sizes

Johanna Unzueta’s topic is labor. Not just in the social and historical sense…

Karl Peters, Portrait of Mildred Thompson, early 1970s. Photograph taken with fish-eye lens

10th Berlin Biennale Special

Opacity is a Different Kind of Clarity

Since the announcement in late 2016 of Gabi Ngcobo as the curator of…