C& Print Issue Another 89
In the last two decades of the GDR, the East German Center for…
C& Special Edition #Detroit
La curatrice, auteure et artiste Legacy Russell réfléchit à la possibilité de matérialiser…
Peinture murale à Asilah
Depuis sa réhabilitation dans les années 1970, la ville marocaine d’Asilah sur la côte…
Un nouveau départ
Dans les années 1970, le Congo (par la suite le Zaïre) a connu un…
Raimi Olakunle Gbadamosi on the Protection of Tap Water
His political involvement is fervent, his artistic work constantly investigating social and cultural…
Another 68!
Despite the 1968 rise of protests against the regime in Mexico, narratives of…
In this article Peggy Piesche writes about how much the liberation ideas of…
The underrepresented Zimbabwean Guerilla Women’s Rebellion played a key role in the country’s…
Un autre 1968!
Les répercussions politiques et culturelles des émeutes mondiales de 1968 ont été abondamment…
Racism: a bigger picture
The unfading legacies of Western racism is a paradigm C& continuously examines through…
C& Center of Unfinished Business
In this series, C& and ArtsEverywhere commission texts inspired by the books in…
The World's Game
Football is more than a game. Various contemporary artists have fiercely explored the…
![(left) Cover of Frantz Fanon, Black Skin, White Masks (right) Lyle Ashton Harris, Brotherhood, Crossroads and Etcetera #3 [in collaboration with Thomas Allen Harris], 1994. Courtesy the artist.](https://contemporaryand.com/wp-content/uploads/2018/06/Bildschirmfoto-2018-06-21-um-20.20.21.jpg)
