Running from October 27 to December 31, LagosPhoto Festival announces its largest expansion to date hosting 38 national and international artists.
M’hammed Kilito, from the series "Before it’s Gone", ongoing. (Detail) Mohammed Elfakhar, a potter, collects wood at the Skoura Oasis, in central Morocco. He does this every Sunday, when he fires the pottery he has made during the week in a kiln. It takes him the whole morning, from 6am to noon, to collect enough to fuel the kiln.
The African Artists’ Foundation, an art space based in Lagos reveals the final selection of artists participating in the 14th edition of the LagosPhoto Festival, an international photography festival taking place from October 27 – December 31, 2023.
Marking the first time in its history that the event is held beyond Lagos, the festival extends to Cotonou, Ouidah, and Porto-Novo in the Republic of Benin. This geographical expansion offers a wider audience the opportunity to engage with the powerful works of talented photographers, challenging our own complicity in a culture of desire founded on consumption.
Bringing together 38 national and international artists, this year’s participants are: Adrian L. Burrell, Aïsso Eliane, Ailbhe Ní Bhriain, Amina Kadous, Arko Datto, Candela Paniagua, Carlos Idun, Chris Iduma, Eugenia Lim, Federico Estol, Fikayo Adebajo, Georges Adeagbo, Gloria Oyarzabal, Gohar Dashti and Hamed Noor, Isadora Romero, Ishola Akpo, Jon Henry, Laeila Adjovi, Louis Oke-Agbo, Maheder Haileselassie, Maija Tammi, Matthew Thorne & Derik Lynch, M’hammed Kilito, Minne Atairu, Mo Laudi, Phil Toledano, Poulomi Basu, Prince Charles Uhunoma, Raquel Van Haver, Raul Jorge Gourgel, Rehab Eldalil, Roman Butym & Pavlo Kyryk, Sophie Négrier, Tobi Onabolu, Trent H. Bozeman, Wesaam Al Badry, Zanele Muholi, Zora J Murff.
This year’s theme, ‘Ground State – Fellowship Within the Uncanny’ will bring together photographic works exploring the present moment and envisioning repair, syncopation, putrefaction, restitution, and restoration.
Photography has always held a mysterious power. In the past two decades, it has played a significant role in the rise of post-truth ideologies encouraging divisive and tribal societies. The malaise of the twenty-first century presents unsettling possibilities and anxieties surging from dystopian post-covid realities, growing conflicts, and the indelible signs of climate change. Recalcitrant colonial mindsets continue to judge worth through an impossible hierarchy. Efforts to imagine decolonized and sustainable futures have been captured in recurring hierarchies of different entities delivering the same results. As society reaches a Ground State, where everything humanity knows as ‘common sense’ no longer applies, there is an urge to restore, repair and restitute the mysteries of oral histories and aspects vital for survival. For its 2023 edition LagosPhoto Festival invites artists to showcase new perspectives of humanity’s revival and equilibrium through hopeful visions of social, political, environment and spiritual change.
Initiated in 2010, LagosPhoto has since created a community of local and international artists united through contemporary photography encapsulating individual experiences and identities from the African continent. Through an extensive program of exhibitions, workshops, screenings and large-scale outdoor installations, the festival promotes education and reclaims public spaces, engaging local and global audiences with the continent’s historical and contemporary stories narrated through photography.
More Editorial
