In this book, a range of internationally renowned and emerging academics, writers, artists, curators, activists and filmmakers critically reflect on the ways in which visual culture has appropriated and developed new media across North Africa and the Middle East. Examining the opportunities presented by the real-time generation of new, relatively unregulated content online, Uncommon Grounds evaluates the prominent role that new media has come to play in artistic practices – and social movements – in the Arab world today. Analysing alternative forms of creating, broadcasting, publishing, distributing and consuming digital images, this book also enquires into a broader global concern: does new media offer a ‘democratization’ of – and a productive engagement with – visual culture, or merely capitalize upon the effect of immediacy at the expense of depth?
Contributors to the volume include Sarah Abu Abdallah, Sophia Al-Maria, Fayçal Baghriche, Franco ‘Bifo’ Berardi, Wafaa Bilal, Sheyma Buali, Maymanah Farhat, Azin Feizabadi, Ganzeer, Gulf Labor, Hans Haacke, Aleya Hamza, Timo Kaabi-Linke, Dina Kafafi, Amal Khalaf, Omar Kholeif, Tarek Khoury, Jens Maier-Rothe, Laura U. Marks, Dina Matar, Edit Molnár, Mosireen, Rabih Mroué, Nat Muller, Philip Rizk, Roy Samaha, Nermin Sayba??l?, Annabelle Sreberny, Tarzan and Arab, Derya Yücel, and Maxa Zoller.
Uncommon Grounds: New Media and Critical Practices in North Africa and the Middle East is Volume 01 in Ibraaz’s Visual Culture in North Africa and the Middle East Series. Volume 02, Dissonant Archives: Contemporary Visual Culture and Contested Narratives in the Middle East, will be published in May 2015.