Exhibition

Nelson Makamo: Souls of Azania

Gallery of African Art (GAFRA), London, United Kingdom
22 Jun 2017 - 09 Sep 2017

NELSON MAKAMO, I AM THE SOUL OF AZANIA, 2017, Charcoal, gold, ink, acrylic and pastels on paper 200 x 140cm, Copyright The Artist

The Gallery of African Art (GAFRA) presents an exhibition of works by the internationally acclaimed South African artist Nelson Makamo. His first solo exhibition in London Souls of Azania, highlights Makamo’s admiration for his homeland and its future dreamers – the children.

When people think of South Africa they may conjure up dreamy thoughts of its breath-taking natural beauty, or perhaps the iconic image of its most famous son, Nelson Mandela. It was Mandela who inspired young South Africans in a swirl of post-apartheid excitement and inspiration, to go forth and live their dreams in a fast changing and dynamic country, while passionately talking up the talents of his compatriots. Yet, little is known about the identity or the prodigious talents of young artists who have emerged to stake their place in the new South Africa he did so much to shape.

Well step forward one of those rising stars, Nelson Makamo, someone the art world will be hearing a lot more about. With his current exhibition, Makamo introduces himself and his acclaimed work to the British art scene. Like the revered late South African president, his namesake grew up and was nurtured in rural South Africa, an upbringing that infused him with a deep and profound sense of patriotism, providing a rich indigenous platform for his life and work.

His work is seen as the product of an often itinerant life, and the numerous journeys between his rural life and the big, bustling metropolis of Johannesburg, a complex and challenging city that has maintained a raw edge since the days when it was built around its once flourishing gold mines. Makamo draws inspiration and flourish from the rural life he treasures and the contrasts it offers in a fast changing South Africa. “A lot of the inspiration for my work comes from family,” he told a South African newspaper interviewer. “When there are family gatherings, I always make a point to sketch or photograph.”  He has said that movement and the transition back and forth from rural to urban settings together have been key influences in his emerging work, since those journeys, he says, “unfold in seconds and seconds and seconds, like prints.”  Within this context, he has explored the horrors migrant labourers face and the challenges the mythologized notions about what success in the city really means and the price many must pay.

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