Future Imperfect: Cultural Propositions and Global Perspectives.
Tate Modern (Starr Auditorium), London, United Kingdom 09 Nov 2013
Future Imperfect brings together an international line-up of artists, writers and cultural practitioners to consider ways in which artistic practices can help inform and shape collective futures. Through performances, interviews, panel discussions, and a screening programme, contributors will highlight how present histories and institutions are being shaped through propositional speculations on the future.
“The idea of the future, pregnant with an infinity of possibilities, is more fruitful than the future itself, and this is why we find more charm in hope than in possession, in dreams than in reality.” – Henri Bergson
What can speculations on the future tell us about the priorities of the present and the demands of past?
10.30–12.30h: Propositional Futures Living in the shadow of an apparently unending ‘war on terror,’ the far from resolved global financial crisis, ongoing uprisings across North Africa and the Middle East, and ubiquitous systems of connectivity and surveillance, it would seem that the future—constricted by the all too immediate challenges of the present—is not what it used to be. This panel will explore what is at stake in articulating propositions on the future and question why the future is not what it used to be.
10.30h – Welcome: Kamel Lazaar 10.35h – Introduction: Anthony Downey and Nora Razian 10.40h – Performance lecture: Raqs Media Collective 11.05h – Keynote lecture: Douglas Coupland 11.30h – Conversation: Tony Chakar and Todd Reisz 12.00h – Discussion and Q&A with audience (Moderated by Anthony Downey)
13.30–15.15h: 1967/1968: What Was Lost? The events of 1967 still resonate across the Middle East and beyond. In June of that year, the so-called Six Day War, or an-Naksah (The Setback), heralded an end to a number of things: the nationalist ideal of Pan-Arabism, the political will towards more open societies, economic growth, and the nascent cultural dispositions that marked the 1960s. One year later, in 1968, a revolutionary politics emerged in struggles against dictatorships, state repression, and colonization, across the United States, France, Mexico, Brazil, Northern Ireland, Czechoslovakia, Yugoslavia, Spain, and Germany. This panel will revolve around a singular question: what was lost in the idealism associated with the period of Pan-Arabism and the radical politics of 1968? And what do those losses tell us about the apparent social, political and cultural impasse that marks the present and the future?
13.30h – Introduction: Omar Kholeif 13.35h – Joana Hadjithomas and Khalil Joreige in conversation with Anthony Downey 14.00h – Propositional Futures I: Khalid Abdalla (Mosireen) 14.25h – Lecture: Tarek El Ariss 14.50h – Discussion and Q&A with Audience (moderated by Omar Kholeif)
15.15h: Coffee break
15.30–17.30h: Structural Futures: Where to Now? The future, as Louis Althusser once observed, tends to last a long time. The possibilities associated with it often remain unrealized and this can be, under the compromised conditions of modernity, a conceptual necessity: the future must always remain in the future. However, for possibility to become potential and be realized over time, both within cultural practices and institutional contexts, infrastructure needs to be in place. This panel will discuss what a future arts infrastructure might look like across the Maghreb region, to begin with, and how the role of artists and institutions could change in a global context.
15.30h – Introduction: Anthony Downey 15.35h – Panel Discussion: Zineb Sedira, Abdelkader Damani, Omar Berrada, Lina Lazaar, Amir Mousawi* and Marcos De Andres* (*AMBS architects). Chair: Anthony Downey 16.30h – Propositional Futures II: Bassam El Baroni 17.00h – Q&A with Audience (moderated by Anthony Downey) 17.30h – End
17.30h – Drinks reception
19.00–20.15h: States in Time – a film screening in the Starr Auditorium, curated by Omar Kholeif.
Jumana Manna and Sille Storihle
The Goodness Regime (2013) HD video, 21 minutes, UK Premiere.
Neil Beloufa Kempinski (2007) SD video, 15 minutes.
Basma Al Sharif
Farther than the Eye Can See (2012) 13 minutes, UK Premiere.
Pipe Dreams (2012) In Arabic with English subtitles, 6 minutes, UK Premiere.
Wu Tsang and Nana Oforiatta-Ayim
Tied and True (2012) HD video, 7 minutes.
Tickets and further information can be found here.