Here are some installation views of the 59th Venice Biennale taking place from 23 April to 27 November 2022 curated by Cecilia Alemani.
Safia Farhat, Gafsa & ailleurs, 1983. Installation View of “The Milk of Dreams” at Arsenale. Photo: C&
Ibrahim El-Salahi, Behind the Mask, 2020-2021. 99 Drawings. Installation View of “The Milk of Dreams” at Arsenale. Photo: C&
Ibrahim El-Salahi, Behind the Mask, 2020-2021. 99 Drawings. Installation View of “The Milk of Dreams” at Arsenale. Photo: C&
Igshaan Adams, Bonteheuwel,/ Epping, 2021. Installation View of “The Milk of Dreams” at Arsenale. Photo: C&
Sandra Mujinga, Sentinels of Change, 2021. Installation View of “The Milk of Dreams” at Arsenale. Photo: C&
Sondra Perry, Lineage for a Phantom Zone, 2020-2022. Installation View of “The Milk of Dreams” at Arsenale. Photo: C&
Precious Okoyomon, To See The Earth Before the End of the World, 2022. Installation View of “The Milk of Dreams” at Arsenale. Photo: C&
Tourmaline, Mary of III Fame, 2020-2021. Installation View of “The Milk of Dreams” at Arsenale. Photo: C&
Simnikiwe Buhlungu, And the Other Thing i Was Saying Was: A Conver-something, 2022. Installation View of “The Milk of Dreams” at Arsenale. Photo: C&
Kresiah Mukwazhi, Untitled, 2021. Installation view of the Zimbabwe Pavilion at the 59th Venice Biennale. Photo: C&
Wallen Mapondera, Takatumwa I, II, 2022. Installation view of the Zimbabwe Pavilion at the 59th Venice Biennale. Photo: C&
Kresiah Mukwazhi, Thirst, 2018. Installation view of the Zimbabwe Pavilion at the 59th Venice Biennale. Photo: C&
Terrence Musekiwa. Installation view of the Zimbabwe Pavilion at the 59th Venice Biennale. Photo: C&
Dineo Seshee Bopape, The Soul Expanding Ocean #3, 2022. Installation view of the Ocean Space at 59th Venice Biennale. Photo: C&
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![(clockwise) Manyaku Mashilo, Passage to Prayer (detail), 2023. Credit: Hayden Phipps & Southern Guild Archives. Courtesy of the artist; Tatenda Chidora, Self isolation II, 2021. Ilford Gold fibre Pearl 290gsm, 102cm x 132cm. Courtesy of the artist; Anaïs Cheleux, Mas Maten, Guadeloupe, shot on digital camera, 2016. Courtesy of the artist; Glicéria Tupinambá, Manto tupinambá [Tupinambá Mantle], 2023. Courtesy of the artist. Foto: Glicéria Tupinambá; Elizabeth Catlett, African American, 2009, MUSEUM MMK FÜR MODERNE KUNST, © Elizabeth Catlett Family Trust / VG Bild-Kunst, Bonn 2023, photo: Axel Schneider.](https://contemporaryand.com/wp-content/uploads/2024/12/Bildschirmfoto-2024-12-19-um-21.08.13-320x200.png)
![(clockwise) Manyaku Mashilo, Passage to Prayer (detail), 2023. Credit: Hayden Phipps & Southern Guild Archives. Courtesy of the artist; Tatenda Chidora, Self isolation II, 2021. Ilford Gold fibre Pearl 290gsm, 102cm x 132cm. Courtesy of the artist; Anaïs Cheleux, Mas Maten, Guadeloupe, shot on digital camera, 2016. Courtesy of the artist; Glicéria Tupinambá, Manto tupinambá [Tupinambá Mantle], 2023. Courtesy of the artist. Foto: Glicéria Tupinambá; Elizabeth Catlett, African American, 2009, MUSEUM MMK FÜR MODERNE KUNST, © Elizabeth Catlett Family Trust / VG Bild-Kunst, Bonn 2023, photo: Axel Schneider.](https://contemporaryand.com/wp-content/uploads/2024/12/Bildschirmfoto-2024-12-19-um-21.08.13-480x300.png)
