Find some impressions of the pavilions curated by Fadzai Veronica Muchemwa, Aindrea Emelife and Simon Njami.
Moffat Takadiwa. Installation View of National Pavilion of Zimbabwe, 60th Venice Biennale. Photo: C&
Moffat Takadiwa. Installation View of National Pavilion of Zimbabwe, 60th Venice Biennale. Photo: C&
Moffat Takadiwa. Installation View of National Pavilion of Zimbabwe, 60th Venice Biennale. Photo: C&
Moffat Takadiwa. Installation View of National Pavilion of Zimbabwe, 60th Venice Biennale. Photo: C&
Moffat Takadiwa. Installation View of National Pavilion of Zimbabwe, 60th Venice Biennale. Photo: C&
(left) Kombo Chapfika; (right) Sekai Machache. Installation View of National Pavilion of Zimbabwe, 60th Venice Biennale. Photo: C&
Gillian Rosselli. Installation View of National Pavilion of Zimbabwe, 60th Venice Biennale. Photo: C&
Victor Nyakauru. Installation View of National Pavilion of Zimbabwe, 60th Venice Biennale. Photo: C&
Precious Okoyomon. Installation View of National Pavilion of Nigeria, 60th Venice Biennale. Photo: C&
Precious Okoyomon. Installation View of National Pavilion of Nigeria, 60th Venice Biennale. Photo: C&
Tunji Adeniyi-Jones. Installation View of National Pavilion of Nigeria, 60th Venice Biennale. Photo: C&
Tunji Adeniyi-Jones. Installation View of National Pavilion of Nigeria, 60th Venice Biennale. Photo: C&
Toyin Ojih Odutola. Installation View of National Pavilion of Nigeria, 60th Venice Biennale. Photo: C&
Toyin Ojih Odutola. Installation View of National Pavilion of Nigeria, 60th Venice Biennale. Photo: C&
Toyin Ojih Odutola. Installation View of National Pavilion of Nigeria, 60th Venice Biennale. Photo: C&
Sadikou Oukpedjo. Installation View of National Pavilion of Côte d’Ivoire at 60th Venice Biennale. Photo: C&
Sadikou Oukpedjo. Installation View of National Pavilion of Côte d’Ivoire at 60th Venice Biennale. Photo: C&
François Xavier Gbré. Installation View of National Pavilion of Côte d’Ivoire at 60th Venice Biennale. Photo: C&
Marie-Claire Messouma Manlanbien. Installation View of National Pavilion of Côte d’Ivoire at 60th Venice Biennale. Photo: C&
François Xavier Gbré. Installation View of National Pavilion of Côte d’Ivoire at 60th Venice Biennale. Photo: C&
60TH VENICE BIENNALE
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![(clockwise) Manyaku Mashilo, Passage to Prayer (detail), 2023. Credit: Hayden Phipps & Southern Guild Archives. Courtesy of the artist; Tatenda Chidora, Self isolation II, 2021. Ilford Gold fibre Pearl 290gsm, 102cm x 132cm. Courtesy of the artist; Anaïs Cheleux, Mas Maten, Guadeloupe, shot on digital camera, 2016. Courtesy of the artist; Glicéria Tupinambá, Manto tupinambá [Tupinambá Mantle], 2023. Courtesy of the artist. Foto: Glicéria Tupinambá; Elizabeth Catlett, African American, 2009, MUSEUM MMK FÜR MODERNE KUNST, © Elizabeth Catlett Family Trust / VG Bild-Kunst, Bonn 2023, photo: Axel Schneider.](https://contemporaryand.com/wp-content/uploads/2024/12/Bildschirmfoto-2024-12-19-um-21.08.13-320x200.png)
![(clockwise) Manyaku Mashilo, Passage to Prayer (detail), 2023. Credit: Hayden Phipps & Southern Guild Archives. Courtesy of the artist; Tatenda Chidora, Self isolation II, 2021. Ilford Gold fibre Pearl 290gsm, 102cm x 132cm. Courtesy of the artist; Anaïs Cheleux, Mas Maten, Guadeloupe, shot on digital camera, 2016. Courtesy of the artist; Glicéria Tupinambá, Manto tupinambá [Tupinambá Mantle], 2023. Courtesy of the artist. Foto: Glicéria Tupinambá; Elizabeth Catlett, African American, 2009, MUSEUM MMK FÜR MODERNE KUNST, © Elizabeth Catlett Family Trust / VG Bild-Kunst, Bonn 2023, photo: Axel Schneider.](https://contemporaryand.com/wp-content/uploads/2024/12/Bildschirmfoto-2024-12-19-um-21.08.13-480x300.png)
