Exhibition

The New Black Vanguard: Photography Between Art and Fashion

Aperture Foundation, New York, United States
24 Oct 2019 - 18 Jan 2020

Micaiah Carter, Adeline in Barrettes, 2018, from The New Black Vanguard (Aperture, 2019) ©Micaiah Carter

Micaiah Carter, Adeline in Barrettes, 2018, from The New Black Vanguard (Aperture, 2019) ©Micaiah Carter

The New Black Vanguard: Photography between Art and Fashion presents fifteen artists, whose vibrant portraits and conceptual images fuse the genres of art and fashion photography in ways that break down long-established boundaries.

With photographs by Campbell Addy, Arielle Bobb-Willis, Micaiah Carter, Awol Erizku, Nadine Ijewere, Quil Lemons, Namsa Leuba, Renell Medrano, Tyler Mitchell, Jamal Nxedlana, Daniel Obasi, Ruth Ossai, Adrienne Raquel, Dana Scruggs, and Stephen Tayo.

Their work has been widely consumed in traditional lifestyle magazines, ad campaigns, and museums, as well as on their individual social-media channels, reinfusing the contemporary visual vocabulary around beauty and the body with new vitality and substance. The images open up conversations around the roles of the black body and black lives as subject matter; collectively, they celebrate black creativity and the cross-pollination between art, fashion, and culture in constructing an image. Seeking to challenge the idea that blackness is homogenous, the works serve as a form of visual activism. It’s a perspective often seen from this loose movement of emerging talents, who are creating photography in vastly different contexts—New York and Johannesburg, Lagos and London. The results—often made in collaboration with black stylists and fashion designers—present new perspectives on the medium of photography and the notions of race and beauty, gender and power.

This exhibition includes selected works from groundbreaking contemporary photographers. The framed work sits alongside vitrines of publications, past and present, that contextualize these images and chart the history of inclusion, and exclusion, in the creation of the commercial black image, while simultaneously proposing a brilliantly reenvisioned future.

This exhibition, curated by Antwaun Sargent, independent writer, curator, and critic, whose work has been published in the New Yorker, New York Times, W, Vogue, VICE, and various museum catalogues, among other publications.

Opening Reception:
Thursday, October 24, 7:00 – 8:30 p.m.

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