Darkness as a Non-representational Field in Ana Pi’s NoirBLUE

How the ICAC Highlighted the Global Influence of Artists from Africa in 1962

The Biennale that Lives on the Edge

Performa Names Kemang Wa Lehulere Winner of Fourth Malcolm McLaren Award

Igshaan Adams wins 2018 Award for Visual Art

Linking South America and the Caribbean

Dazzling Art: An Aspiring Congolese Biennale

Absence and Omission

The 33rd Bienal de São Paulo Announced Theme and New Curatorial Concept

The Importance of the African Motorcycle in Art

Dakar Biennale Reveals List of Artists

Wura-Natasha Ogunji Joins the Curatorial Team of 33rd Edition of Bienal de São Paulo