Critique

Sola Olulode, Close To You, 2019.

Digital Strokes

Depictions of Queer Black Love for the Digital Age

A new generation of young painters in Europe are using internet languages to…

Reshma Chhiba, Mother Tongues, 2020. Photo: Ashraf Jamal

Tomorrow There Will Be More Of Us

The Materiality of South Africa’s Stellenbosch Triennale

For its inaugural edition, the Stellenbosch Triennale in South Africa invited 20 artists…

David Koloane, Installation View at Iziko South African National Gallery.

A Resilient Visionary

The Visual Journey of David Koloane through History’s City

Last summer the Iziko South African National Gallery hosted a retrospective of the…

Ata Ndele Mokili (Tôt ou tard le monde changera). Monsengo Shula, 2014, Acryl und Pailletten auf Leinwand, 130 x 200 cm. Sammlung Henri und Farida Seydoux

Rietberg Museum Zurich

Congo as Fiction – Fiction as an Objective

European museums today can hardly avoid addressing the histories of their objects. Which…

Mihaela Cîmpeanu, SOMNUL - memoria inconștientă a Holocaustului, 2019. SLEEP – The uncounscious memory of the Holocaust, 2019 . Mixed media, plaster, iron and foam, 230 x 220 x 80 cm. Photo credit Kunsthalle Bega

lay me down across the lines

Invisible Connections of Feminism

In the recently opened Kunsthalle Bega, young Romanian artists demonstrate how to connect…

Amy Sow, D’un monde à un autre, 2019. Installation view. Horloge, lampes torches, bois, tissus. Dimensions variables. Courtesy the artist.

Rabat Biennale

Taking Risks by Showing Only Female Artists

Headed by Abdelkader Damani, the inaugural Rabat Biennale in Morocco’s capital has caused…

Installation view, Heji Shin, Kunsthalle Zürich, 2018. Photo: Annik Wetter.

Édition spéciale de C& #Detroit

Ce n’est pas de Kanye qu’il s’agit ici

Hé, salut Kanye, quoi de neuf ? » C’est exactement ce qui me…

Exhibition view of « City Prince/sses », Palais de Tokyo 
(21.06 – 08.09.2019). Photo: Marc Domage

City Prince/sses at Palais de Tokyo

Imaginary Spheres Within Real Cities

People babbling, laughing, screaming, cars honking in the midst of friendly chaos: that’s…

Howardena Pindell, Untitled, 1972. Acrylic on canvas, 174.3 x 267.3 cm; 68 5/8 x 105 1/4 inches
© Howardena Pindell. Courtesy the artist, Garth Greenan Gallery, New York and Victoria Miro, London/Venice

Inventing Your Own Game

La cohérence dans l’art d’Howardena Pindell et son défi

Après la guerre, de nombreux artistes de couleur se sont vus rejetés par…

Emeka Okereke, The fire assembly point, Lagos, 2015. Courtesy the artist.

Eyes East Bond

The 13th Cairo Biennale Returns After a Five-Year Break

With a five-year delay for political reasons, the 13th Cairo Biennale is finally…

Akosua Adoma Owusu, Welcome to the Jungle, 2019; installation view, CCA Wattis Institute;

Akosua Adoma Owusu: Welcome to the Jungle

Beauté et puissance de la culture capillaire noire

Entremêlant des récits hétéroclites autour de l’animation des salons de coiffure et de…

Édouard Manet, Laure, 1863. Oil on canvas, 130 x 190 cm (via Wikimedia Commons, Musée d’Orsay, Paris)

Le modèle noir : de Géricault à Matisse

Sortir de l’anonymat

De par sa thématique et sa présentation dans une institution de renom, l’exposition…