Kelvin Haizel: “The question points to the overburdened subject every artist from the Global South has had to grapple with in the last thirty years.” | Contemporary And

Interview

Kelvin Haizel, things and nothings, 2017. Installation view at the 11th Bamako Biennial. Courtesy the artist.

C& Print Issue #9: Round Table

Kelvin Haizel: “The question points to the overburdened subject every artist from the Global South has had to grapple with in the last thirty years.”

In our ongoing series of round-table discussions we ask a selection of artists…

Paa Joe and Elisabeth Efua Sutherland, Akԑ yaaa heko // One does not take it anywhere, opening. Courtesy Gallery 1957, Accra. Photo Nii Odzenma

C& Print Issue #9: Round Table

Elisabeth Efua Sutherland: « It’s about the power of the narrative. People ask you, ‘Who are you?’ »

In our ongoing series of round-table discussions we ask a selection of artists…

Thierry Oussou, Before It Is Completely Gone , 2018. Installation view. Courtesy the artist and Stevenson, Cape Town and Johannesburg

10th Berlin Biennale Special

Des méthodes archéologiques à l’art contemporain

Interviewé par Julie Abricot de C&, Thierry Oussou nous explique pourquoi son travail…

Las Nietas de Nonó, Ilustraciones de la Mecánica, 2016–18, mixed media; performances; documentation of the performance from 08.06.18, 10. Berlin Biennale, Volksbühne Pavillon, Berlin, courtesy Las Nietas de Nonó, photo: Timo Ohler

10th Berlin Biennale

Las Nietas de Nonó: “We Need to Heal the Wounds”

The Puerto Rican sisters and artists Lydela and Michel Nonó present their performances…

Johanna Unzueta, Mural Sink (Detail), 2018. Felt and thread , 300 x 200 x 35 cm. Courtesy the artist and 57w57Arts Gallery, NY

10th Berlin Biennale Special

Where Industrial Buildings Come In Pocket Sizes

Johanna Unzueta’s topic is labor. Not just in the social and historical sense…

Karl Peters, Portrait of Mildred Thompson, early 1970s. Photograph taken with fish-eye lens

10th Berlin Biennale Special

Opacity is a Different Kind of Clarity

Since the announcement in late 2016 of Gabi Ngcobo as the curator of…

Julia Phillips, Exoticizer, Worn Out (Josephine Baker’s Belt), 2017. Courtesy the artist and The Studio Museum in Harlem

10th Berlin Biennale Special

In Minimalism Everything Counts

The German-born artist Julia Phillips met C&’s Will Furtado to talk us through…

boychild. Foto credit: Inès Manai

In Conversation with Wu Tsang

Rethinking the Museum of Tomorrow

Who does the museum appeal to, who does it welcome, and who does…

Dario Calmese, no. 155 (from Amongst Friends Series), detail, 2012. 36”x36”, achival pigment print. Courtesy of the artist.

In Conversation with Dario Calmese

The Bohemian Harlem Socialite That Inspired a Photography Project

Upon meeting Harlem socialite Ms. Lana Turner, Dario Calmese was so fascinated with…

Shiraz Bayjoo, filmstill

Dak'Art 2018: In Conversation with Shiraz Bayjoo

Broadening the Perspectives on De-Colonisation

Having grown up between two fishing towns his interest in everything oceanic was…

Installation view at Galpão VB, the new venue of Videobrasil Festival , Courtesy: Associacao Videobrasil, © Ricardo Amado

Remembering Dak'Art 2016

Changing Directions Whenever Necessary

Solange Farkas was one of the guest curators of Dak’Art 2016. C& talked…

Oneika Russell, Ambassador of the New World (video still/ installation detail), 2016

Dak'Art 2018: In Conversation with Oneika Russell

Riding the Waves of Time

Oneika Russell has always been fascinated by the cultural ambiguities of her native…

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