Article

Ozhope Collective, “Row” (2018), Courtesy of the Collective

“Thinkivist” Art

The Ozhope Collective and the Oil Debate in Malawi

Oil is a tricky good, especially when found in the waters of a…

Vidéo performance Lubumbashi-Kinshasa de FUNDI MWAMBA (FM) Gustave Giresse et Michael DISANKA (video still), 2018. Une production de O2 Studios, Collectif D'art D'art et Mite Enternenement.

L’art vidéo

De l’expérimentation à l’art vidéo dans le travail de FM Gustave Giresse

Il a recours à des images marquantes, telles que son propre visage recouvert…

L’homme qui a revalorisé la culture africaine issue de la vision ethnologique occidentale

Cheikh Anta Diop

L’homme qui a revalorisé la culture africaine issue de la vision ethnologique occidentale

En l'honneur de #BlackHistoryMonth un autre article du C& Archive! L’université Cheikh Anta…

À l’époque où les généraux régnaient et où la culture noire importait moins

Abdias do Nascimento

À l’époque où les généraux régnaient et où la culture noire importait moins

Érudit afro-brésilien et homme de théâtre radical, Abdias do Nascimento gêna la présence…

Douglas Hodge and Letitia Wright in Black Mirror (2011)

Netflix

Find Out Why Black Twitter Is Going Mad Over Black Mirror

Black Mirror's latest episode Black Museum is a fitting analogy for how Black…

Charles Nkosi. Soweto at dawn, 1979. Watercolor and ink; 42 x 44 cm. Fort Hare University De Beers Collection, taken from De Jager, E.J. 1992. Images of Man: Contemporary South African Black Art and artists, University of Fort Hare Press: Alice, pg 184. © Charles Nkosi.

C& and art21 magazine

The Black Theology in Sokhaya Charles Nkosi’s Paintings

Intertwining religion, Black existentialism, and the emergence of Black consciousness, Black theology is…

Scholars, Museum Directors, Curators and Artists at the International Conference on African Cultures, 1962. Courtesy of the National Gallery of Art in Zimbabwe.

A Groundbreaking Congress in Zimbabwe

How the ICAC Highlighted the Global Influence of Artists from Africa in 1962

In the 1960s in Southern Rhodesia, the International Congress of African Culture made…

Henry Tayali, Destiny, 1975-80, oil on canvas, 58cm x 89cm. Courtesy of Zukas Family

Focus Zambia: Henry Tayali

Outside the Spotlight

C& author Andrew Mulenga remembers an artist that has shaped the contemporary Zambian…

Délio Jasse, The Lost Chapter, Nampula, 1963, 2016. Photographic emulsion and screenprint on Fabriano paper. Courtesy the artist and Tiwani Contemporary, London

C& and Aperture Magazine

Délio Jasse’s Endless Archive

Looking to vintage photographs and alternative processes, the Angolan Portuguese artist engages the…

School of Engineering at KNUST (Kwame Nkrumah University of Science and Technology), Kumasi (Ghana), 1956. Photo: James Cubitt. Courtesy of Alexia Webster.

C& Print Issue #7

Department of Now

The teaching methods at Ghana’s Kwame Nkrumah University of Science and Technology has…

Amira Moraloki, FAKA, 2017. Courtesy the artist and FAKA

C& and Aperture Magazine

Screen Legends

South Africa’s new media artists are transforming the digital world. Khanya Mashabela explores…

Issa Samb/Joe Ouakam and installation view of Issa Samb's work © Ibrahima Thiam

Nécrologie

Issa Samb « Joe Ouakam », artiste intégral

Notre auteur Aboubacar Demba Cissokho rend hommage à l'icône, artiste légendaire Issa Samb,…