Betye Saar : Cette majesté qu’elle tient entre ses mains | Contemporary And

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Betye Saar, I’ll Bend But I Will Not Break, 1998. Mixed media tableau: vintage ironing board, flat iron, metal chin, white bed sheet, six wooden clothespins, cotton, clothesline and one rope hook, 80 x 96 x 36 in (203.2 x 243.8 x 91.4 cm), Los Angeles County Museum of Art, Gift of Lynda and Stewart Resnick through the 2018 Collectors Committee, © Betye Saar

Inventing Your Own Game

Betye Saar : Cette majesté qu’elle tient entre ses mains

Après la guerre, de nombreux artistes de couleur se sont vus rejetés par…

Horace Imhotep, Ancestral Clay, 2018. Acrylic on canvas, 122 x 183 cm. Courtesy of ZuCot Gallery. Private collection

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Nelbia Romero, Sin titulo (Untitled), 1983. Silk screen, 40 x 29 cm. © Hammer Museum 2019.

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Inventer une issue : dystopies et dictatures

Felix Jordan Rucker se penche sur des moyens artistiques de troubler le contrôle…

(left) Photograph of Benjamin Patterson’s Variations for Double-Bass. Museum of Modern Art (MoMA), New York. Acc. n.: 2642.2008. ©2019 Digital image, The Museum of Modern Art, New York/Scala, Florence; (right) Portrait of Mildred Thompson, c.1960s © The Mildred Thompson Estate, Courtesy of Galerie Lelong & Co., New York

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Why They Left America

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Oliver Harrington, ... And the philosophy of this administration is if it aint broke dont fix it, 1980s. Benday, ink, paper, blue pencil. Courtesy of Dr. Helma Harrington; The Ohio State University, Billy Ireland Cartoon Library and Museum

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Défier la souffrance!

Mearg Negusse dresse le portrait du caricaturiste américain Oliver Harrington et raconte sa…

Toni Morrison lecture at West Point Military Academy in March, 2013. Photo via Wikipedia.

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Her words are like a second mother-tongue — she taught us a new…

Archival photograph of David Koloane. Courtesy Goodman Gallery

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David Koloane (1938-2019)

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Binyavanga Wainaina . Photo credit: Paul Munene

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The Kenyan author Binyavanga Wainaina has passed away at the age of 48.…

Installation View: Robert Reed: San Romano Series, Pilar Corrias, London. 12 April – 18 May 2019. Courtesy of the Robert Reed Estate and Pilar Corrias, London. Photo: Damian Griffiths.

Inventing Your Own Game

Robert Reed : de retour dans les canons de l’art américain

Après la guerre, de nombreux artistes de couleur se sont vus rejetés par…

Jack Whitten, Quantum Wall, VIII (For Arshile Gorky, My First Love in Painting), Detail, 2017. Acrylic on canvas, 122,6 x 122,6 cm © Courtesy the Jack Whitten Estate and Hauser & Wirth. Photo: Genevieve Hanson

Inventing Your Own Game

Jack Whitten : Un peintre de peintre reçoit une reconnaissance bien méritée

Après la guerre, de nombreux artistes de couleur se sont vus rejetés par…

The artist Ibrahim Ahmed and his censored work, Does Anybody Leave Heaven, 2019. Image credits: Hesham Mohamed Hassan

13th Havana Biennial

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Mawande Ka Zenzile, Ubuza ibhasi ibhaliwe, 2019. Diptych, Cow dung, gesso and oil on canvas; artist’s frame with gold leaf
200 x 100cm each

Biennale de Venise 2019

Le pavillon sud-africain jette une passerelle entre passé et présent

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