Article

Personally mapping LA

Art and community work

Personally mapping LA

Artist Mark Bradford engages in his old neighbourhood in South LA, where he…

Reflections on "Everyday Africa"

« They could be paintings »

Award winning Nigerian author Helon Habila reflects on the photo blog "Everyday Africa"

Kiluanji Kia Henda, Redefining The Power III, from ‘Series 75 with Miguel Prince’, 2011, triptych, photographic print mounted on aluminium, each: 120 × 80. © Kiluanji Kia Henda

La scène artistique de Luanda

«Le monde de l’art à Luanda est jeune et plein de vie, fort d’un impact politique qui reste à être compris.»

La critique d'art et commissaire d'exposition Suzana Sousa nous livre un aperçu exclusif.



Victor Ekpuk, Three Wise Men. Courtesy of the artist.

On Victor Ekpuk’s artistic practice

Memory as the received, appropriated, lived, and imagined

Ugochukwu-Smooth C. Nzewi explores Victor Ekpuk's show 'Reminiscences and Current Musings' at Morton…

Behind Every Map, There is a Person: DWEJE

Virtual Lines

Behind Every Map, There is a Person: DWEJE

(EN) These maps by Philippe Rekacewicz, published here on C& every day over…

The Constant Observer V

Tracing the quiet and dramatic moments of the refugees' daily lives

The Constant Observer V

The work of photographer and activist Muhammed Lamin Jadama, published here on C&…

The Constant Observer III

Tracing the quiet and dramatic moments of the refugees' daily lives

The Constant Observer III

The work of photographer and activist Muhammed Lamin

The Constant Observer II

Tracing the quiet and dramatic moments of the refugees' daily lives

The Constant Observer II

The work of photographer and activist Muhammed Lamin

Wim Botha, 'Time Machine', 2012, Mixed media installation, dimensions variable.

On museum

The New Church

Sean O'Toole visits South Africa’s first privately owned museum devoted exclusively to art…

Em'kal Eyonga.kpa, Passenger series, 2012. Courtesy of the artist and Doual'art Cameroon.

From African perspectives

« Sous l’effet de l’interaction intracontinentale, la scène est également plus fluide, plus dynamique qu’elle n’a jamais été… »

Bomi Odufunade on the contemporary art scene on the continent

Looking back I

« Authentic/Ex-centric: Africa In and Out of Africa »

The opening of 'Authentic/Ex-centric: Africa In and Out of Africa' at the 49th…

Zarina Bhimji, 'Memories Were Trapped Inside the Asphalt', 1998-2003, Transparency in light box 130 x 170 x 12.5 cm. © Zarina Bhimji.

EXHIBITION HISTORIES

Fault Lines: Contemporary African Art and Shifting Landscapes

Depuis 1990, la Biennale de Venise a présenté un nombre croissant d’œuvres d’artistes…