Raimi Olakunle Gbadamosi on the Protection of Tap Water
His political involvement is fervent, his artistic work constantly investigating social and cultural…
Another 68!
Despite the 1968 rise of protests against the regime in Mexico, narratives of…
In this article Peggy Piesche writes about how much the liberation ideas of…
The underrepresented Zimbabwean Guerilla Women’s Rebellion played a key role in the country’s…
Un autre 1968!
Les répercussions politiques et culturelles des émeutes mondiales de 1968 ont été abondamment…
Racism: a bigger picture
The unfading legacies of Western racism is a paradigm C& continuously examines through…
C& Center of Unfinished Business
In this series, C& and ArtsEverywhere commission texts inspired by the books in…
The World's Game
Football is more than a game. Various contemporary artists have fiercely explored the…
10th Berlin Biennale Special
Dineo Seshee Bopape's complex creativity gives form to a practice that is simultaneously…
Religion as Inspiration
Among black women artists from Brazil, she is one of the few who…
Argentina's Black Legacy
The “disappearance of the black” in Argentinian identity is one of the most…
Photography
In recent years, the Afro-Iranian community has been under the spotlight. In 2015…
![(left) Cover of Frantz Fanon, Black Skin, White Masks (right) Lyle Ashton Harris, Brotherhood, Crossroads and Etcetera #3 [in collaboration with Thomas Allen Harris], 1994. Courtesy the artist.](https://contemporaryand.com/wp-content/uploads/2018/06/Bildschirmfoto-2018-06-21-um-20.20.21.jpg)
